Four distinct voices competed at the Georgia International Horse Park as Soul Country Music Star brought its search for emerging Black country artists at the BPIR rodeo
By Milton Kirby | Conyers, GA | August 9, 2026
Four artists entered the Soul Country Music Star Atlanta Regional carrying different sounds, stories and interpretations of what Soul country music can be.
By the end of the opening round, Reggie Stacy and Kween Jacqueline Merrill remained. Each returned to the stage at the Georgia International Horse Park on August 1 to perform one final song before the judges made their decision.
Merrill was named the 2026 Atlanta Regional champion, earning a place in the national finals in Los Angeles and moving one step closer to the competition’s $10,000 grand prize.
For an artist who had spoken with The Truth Seekers Journal days earlier about faith, motherhood, personal loss, health struggles and perseverance, the victory marked another chapter in a journey that began in church when she was a child.
“It feels like I listened to God and it all worked out,” Merrill said after winning.
Now, the Road from Atlanta to Hollywood belongs to her.
Four Artists, Four Different Sounds
Presented as part of the Bill Pickett Invitational Rodeo’s Soul Country Rodeo Experience, the Atlanta SCMS Regional featured Angela Roundtree, Bernard “OG Nard” Stephens, Stacy and Jacqueline Merrill.
Roundtree brought gospel-rooted expression and a belief in performing with authenticity, emotion and meaning. OG Nard introduced what he calls “Trapp Kountry,” blending country storytelling, Southern Soul and contemporary urban influences. Stacy arrived with years of performance experience and an appreciation for country music shaped by artists including Charley Pride and Chris Stapleton.
Merrill brought perhaps the most difficult sound to categorize. She is a singer, songwriter, rapper, country artist and gospel performer, but she has never viewed those descriptions as competing identities. To her, they are all parts of the same artist.
Her relationship with music began in church. At five years old, she led her first song in the Church of God in Christ, and music remained part of her life through motherhood, hardship, health challenges and loss. Rather than separating those experiences from her artistry, she incorporated them into it.
In Atlanta, Merrill also performed an original song written specifically for the Bill Pickett Invitational Rodeo. Before the competition, she told TSJ what she wanted audiences to take away from her music.
“If I made you feel something,” Merrill said, “then I’ve done my job.”
On August 1, she also convinced the judges.
Down to the Final Two
After the opening round, Stacy and Merrill performed again before three judges; Dr. Acynthia Villery, the BPIR rodeo announcer and influencer, Music Producer and Talent Scout Rickey Davis Scott and V-103FM Debonair DJ Pnut.
Their comments throughout the competition revealed that strong vocals alone were not enough. Stage presence, song selection and artistic identity also mattered, as did understanding the distinction between Southern Soul and the Soul Country sound the competition was seeking.
OG Nard, for example, was praised for his energy and ability to command attention. The judges also noted that some of his song choices leaned more toward Southern Soul and encouraged him to build a stronger connection to Soul Country.
The critique highlighted a challenge for artists working in a musical space that is still defining itself. Soul Country does not require performers to abandon gospel, blues, Southern Soul, hip-hop or the other influences that shaped them. Instead, artists are challenged to show how those influences can live within country music while preserving the storytelling at the heart of the genre. That’s the goal.
In that context, song selection becomes more than a showcase for a performer’s voice. It becomes a statement about who the artist is.
Bringing Soul Country into the Rodeo
The Atlanta event marked a new approach for Soul Country Music Star and the Bill Pickett Invitational Rodeo. Margo Wade LaDrew, founder and creator of Soul Country Music Star, told the audience that the competition had traditionally been presented as a separate Friday night event. In Atlanta, organizers brought it directly into the rodeo experience.
When Wade LaDrew asked whether the audience enjoyed seeing Soul Country Music Star incorporated into the rodeo, the response came in cheers.
“This was something we wanted to try and do here at the rodeo,” she told the crowd, explaining that organizers could consider incorporating the competition into future rodeo programming.
The pairing is a natural one. For more than four decades, the Bill Pickett Invitational Rodeo has celebrated the often-overlooked history of Black cowboys and cowgirls while providing a national platform for Black Western culture. Soul Country Music Star extends that mission into music.
Black musicians have been part of country music since its earliest development, even when their contributions were overlooked or separated from the genre’s mainstream story. Although Black country artists are receiving greater visibility today, Wade LaDrew reminded the Atlanta audience that the work is not finished.
“As you know, the genre is just starting to open up, but we still have a long way to go,” she said.
Her request was straightforward: support the artists, follow them, share their music and help build the audiences their careers need to grow.
Wade LaDrew also recognized Valeria Howard Cunningham, president and CEO of the Bill Pickett Invitational Rodeo, for supporting opportunities for Black country artists. She thanked Soul Country Music Star producer Michelle Johnson, the judges, SCMS show host Kirk Jay, DJ Tiffany Guess and others who helped bring the competition into the Atlanta rodeo.
The Road to Hollywood
Merrill’s victory placed her alongside Brenda Guy, Dallas-Fort Worth Regional winner; Silas Reed IV, Memphis Regional winner; and Glenn Stanton, Los Angeles Regional winner.
One regional competition remains before the national finals. The Washington, D.C./Maryland Regional is scheduled for September 18 at The Show Place Arena in Upper Marlboro, Maryland.
The regional champions will then travel to Los Angeles for the Soul Country Music Festival and National Finals on October 31 and November 1, where they will compete for the $10,000 grand prize and the Soul Country Music Star national title.
Only one artist could become Atlanta’s regional champion, but something larger also happened at the Georgia International Horse Park. Four Black artists were given a stage to present four different visions of where country music can go, and another audience heard performers who might not have received the same opportunity a generation ago.
For Merrill, Atlanta was not the finish line. It was another door.
Now Los Angeles awaits.
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