MARTA Unwraps the Holidays with Free Rides, Festive Buses, and Gifts for Riders

MARTA launches its 2025 holiday season with free rides, festive bus wraps, vendor markets, surprise giveaways, and community events across Atlanta, DeKalb, and Clayton County.

By Milton Kirby | Atlanta, GA | November 19, 2025

If you’re riding MARTA this season, expect more than your usual commute. Expect music drifting through station corridors, small businesses setting up tables full of handmade goods, and a flash of color when one of MARTA’s holiday buses pulls to the curb. The agency is rolling out six weeks of holiday cheer, complete with free rides, surprise giveaways, and a few visits from Santa — the real one.

The celebration starts Thursday at West End Station, where MARTA is hosting its third annual Holiday Market + Bus Reveal. It’s become one of those events people circle on the calendar: hot cocoa, local makers, DIY craft stations, and that moment everyone leans in together waiting for the holiday buses to roll out in fresh wraps. This year’s theme — “Wrapping Up the Year” — sits across three custom buses made possible by Tulsa Welding School Atlanta, which is opening its new campus in the metro area.

MARTA Interim General Manager and CEO Jonathan Hunt said the event reflects the agency’s bigger goal: bringing people together. “From free holiday rides to local vendor markets and festive surprises, we’re excited to spread cheer across the system all season long,” he said.

And the gifts don’t stop at the station. From Nov. 21 through New Year’s Eve, anyone who happens to step onto one of the wrapped buses rides free. The buses will be moving throughout Atlanta, DeKalb, and Clayton County — bright, loud, unmistakably festive.

There’s also something special planned for Dec. 2 through Dec. 4. MARTA teams — joined by The Real Black Santa and a handful of local influencers — will pop up around the system to hand out free Breeze Cards. No schedule, no announcement. Just a little joy, delivered in the moment.

The next big stop on the holiday tour is Dec. 11 at Kensington Station. In partnership with Decide DeKalb, MARTA is hosting a customer appreciation celebration with DeKalb-based vendors, holiday karaoke, music, story time, refreshments, giveaways, and a photo booth. The holiday buses will be parked onsite so families can climb aboard, take pictures, and see the designs up close.

Six weeks, systemwide. Free rides. Markets. Santa. And plenty of chances for people to meet the community around them. MARTA is keeping the holidays accessible — and bringing the season directly to the riders who keep the system moving.

Full details are available at itsmarta.com/holidayevents

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The Remarkable Life of Victor Hart Sr.: The Humble Giant Who Built a Better Gifford

Victor Hart Sr., longtime NAACP leader and Gifford advocate, devoted his life to dignity, justice, and community progress. His decades of service transformed opportunities for generations.

By Milton Kirby | Vero Beach, FL | November 17, 2025

A Life of Service Remembered

In Gifford, the measure of a person’s life is often found in the work they leave behind. It’s written in the stories people tell, the hands a leader lifts, and the ground a man helps steady when everything around him feels like it might shake loose. That is the kind of life Victor Hart Sr. lived — steady, humble, unbending in his love for people.

Hart, the longtime president of the Indian River County NAACP chapter, is remembered for walking with humility but speaking with a purposeful voice to provide opportunities for others. He died on November 13 at the age of 94.

From Cat Island to Gifford

Victor Hart, Sr.’s journey from his birthplace in 1931 in Old Bight Settlement on Cat Island in the Bahamas to Gifford in 1953 is a testament to his resilience and determination. He arrived in Florida with a fifth-grade education and a fruit picker’s job but quickly came to understand the hard lines of segregation in his new home.

He remembered an early trip to Orlando, when he wanted a sandwich and was told he wasn’t allowed to go through the front door.

“Well, I didn’t know there were two kinds of people,” he said. “So I just went on through that door. And I kept doing that.”

“Where I come from in the Bahamas, all people needed to know was that my name is Victor Hart,” he explained. “That’s who I was. In the Bahamas, we had lived as one.”

Challenging Barriers, Opening Doors

Those experiences pushed Hart toward a life of challenge and service. Though he did not first see himself as a civil rights figure, he later reflected, “I had never thought of myself as a civil rights worker — but I guess that’s what I’ve been doing ever since.”

Back in 1961, he recalled, “I got a crew together and I said, ‘Fellas, I don’t know what the law is all about in this country, but I’m not going to go around to the back.’”

From that determination came the Progressive Civic League in Gifford and the county’s NAACP chapter. Hart was the first to organize both.

“It was tough in those days,” he said. “You couldn’t just ride around — you had to go in groups.” Organizing offered some measure of safety and a collective voice.

Over the years, Victor Hart Sr.’s humble yet unflinching leadership was instrumental in bringing significant improvements to Gifford. His efforts led to the delivery of clean water, paved roads, streetlights, medical and community centers, the Gifford Youth Achievement Center, and the park that now bears his name.

A Father Who Lived His Values Out Loud

Hart’s public work was matched by the example he set at home.

“My father was a warrior. He was a fighter. He was a fighter to the end,” said his daughter, Vickie Hart-Brant. “My daddy was my hero. Daddy just understood so much.”

She described him as well-read and highly intellectual, noting that he kept up with the issues by reading five newspapers. Education, she said, was very important to him.

Hart instilled his values in his children. Hart-Brant remembers riding with him as he used a loudspeaker to remind people to vote. The family helped give rides to polling locations, joined parades, and took part in events to promote the community.

He taught them the art of negotiation and the importance of respecting others, regardless of their disagreement. His motto, she said, was simple: “I can disagree with you, but I don’t have to be disagreeable.”

He also insisted on integrity in his civic work. Hart-Brant recalled that he never took a penny from anyone. “My daddy financed his own work. His integrity was intact. He sacrificed to help promote and advocate for the people of Gifford. He loved the people of Gifford,” she said. “He was a God-fearing man. Faith and his family were the two most important things in his life.”

A Calming Presence in Difficult Times

County Commissioner Deryl Loar, a former sheriff, worked closely with Hart during difficult moments and witnessed his influence firsthand. Everyone called him “Chief.”  “That was the respect that he commanded,” Loar said.

Hart had a calming effect on the community, even during times of racial tension. After the murder of George Floyd, when emotions and frustration ran high, Hart’s voice and presence helped steady Gifford.

“There were several instances when there could have been unrest, absent Victor Hart, Sr. calming the community,” Loar said.

A Legacy Etched Into a Park and a Community

The community’s respect and gratitude for Victor Hart, Sr.’s work were formally recognized in 2017, when Gifford Park on 43rd Avenue was renamed the Victor Hart Sr. Community Enhancement Complex. The well-attended ceremony made history: it was the first Indian River County-owned facility to be named for a person of color. This recognition is a source of pride for the entire community.

Victor Hart, Sr. Community Enhancement Complex.

The well-attended ceremony made history: it was the first Indian River County-owned facility to be named for a person of color.

The people of Gifford had long considered Hart an icon. Now there is a permanent and very visible testament to the esteem he earned through decades of work.

Tony Brown, Hart’s hand-picked successor as NAACP president, put it plainly: “When you mention an accomplishment in Gifford, you cannot get too far away from Victor Hart.”

According to County Commissioner Bob Solari, who made the motion to rename the park, “Few people have done so much for the community with so little personal benefit. He’s been working at it daily for almost 60 years.”

Today, the 39-acre Victor Hart, Sr. Community Enhancement Complex includes athletic fields, a large playground, the Gifford Aquatic Center, the Gifford Youth Achievement Center, basketball and tennis courts, a football field, a lighted Little League field, picnic pavilions with grills, restrooms, walking trails, fitness equipment, and parking areas. It operates daily from 7 a.m. until sunset and provides a safe and engaging environment for families and children.

Victor Hart Sr Community Enhancement Complex – Courtesy Indian River County

Pets, alcohol, open fires, and camping are not allowed within the park, underscoring its role as a community space focused on recreation, safety, and connection.

‘It Feels Good… Now Somebody Says Thank You’

In 2013, Hart was honored with a living memorial at Historic Macedonia Church in Gifford. At age 82, he sat on a bench engraved with his name, alongside County Commissioner Bob Solari. The bench and accompanying plaque were placed outside the church at 2800 45th Street, across from Gifford Middle School.

“It feels good; people don’t usually do anything for me,” Hart said at the time. “Now somebody says thank you; at least they let me know they appreciate me.”

For the people of Gifford, the appreciation had been there all along — in clean water, paved roads, streetlights, community centers, youth programs, and a park that carries his name. For nearly 60 years, whenever something significant changed for the better in Gifford, it was almost always the result of Victor Hart’s work.

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Norman vs. Haney: Unbeaten Stars Collide for Welterweight Supremacy

WBO welterweight champion Brian Norman Jr. meets Devin Haney in Riyadh on Nov. 22, a high-stakes matchup between two young stars chasing legacy and supremacy.

By Milton Kirby | Riyadh, Saudi Arabia | November 17, 2025

A Rising Champion Steps Onto Boxing’s Biggest Stage

At just 24 years old, Brian Norman Jr. enters the most significant fight of his career — a November 22 welterweight showdown against former undisputed lightweight champion Devin Haney in Riyadh, Saudi Arabia.

Standing 5’8” and fighting at 147 pounds, Norman arrives as the reigning WBO world champion, unbeaten at 28-0, with one of the division’s most feared left hooks. His last two bouts turned heads worldwide, especially his June 19, 2025 demolition of Jin Sasaki in Tokyo.

In the first minute of that fight, Norman floored Sasaki with a sharp left hook. By round five, he delivered a knockout so brutal that Sasaki remained on the canvas for several minutes — a finish many analysts immediately labeled a Knockout of the Year contender.

Two undefeated champions

The Road to the WBO Throne

Norman’s ascent began with a breakthrough win in 2024, when he claimed the WBO interim title by stopping the undefeated and highly ranked Giovanni Santillan. When Terence Crawford later vacated the welterweight belt, Norman was elevated to full champion and has defended his position with steady, disciplined dominance.

Like his upcoming opponent, Norman turned professional at just 17. He fought his earliest bouts in Mexico, sharpened his technique across smaller U.S. shows, and built a highlight reel filled with stoppages. In 2022, Top Rank — the promotional home of Muhammad Ali, Manny Pacquiao, and Oscar De La Hoya — signed him, providing the platform that accelerated his rise.

Today, Norman has earned an estimated $1 million in career purses, including a $650,000 payday in his bout against Cuevas.

His record now stands at 30 fights, 28 wins, and no losses, including 22 knockouts, six unanimous decision victories, and two no-contests due to accidental injuries.

The Haney Equation

Devin Haney enters the ring with his own immaculate resume: 32-0, multiple world titles across divisions, and wins over some of the sport’s most accomplished fighters. His resume includes:

  • Vasiliy Lomachenko
  • Regis Prograis
  • Joseph “JoJo” Diaz
  • Joseph Ramirez

Haney’s lone scare came against Ryan Garcia, who knocked him down multiple times. Though Haney lost that night, the bout was later ruled a no-contest after Garcia failed a drug test.

Since then, Haney has taken a cautious path — even opting for a catch-weight bout against Jose Ramirez in Times Square — but now steps into the welterweight arena with every intention of reclaiming dominance.

Styles Make Fights

Haney has openly dismissed Norman’s résumé, suggesting the young champion has not yet faced an elite lineup. But analysts see a more complicated picture.

Norman is a physical fighter on the inside, willing to lean on strength and timing to break down opponents. He sets his feet before launching power shots, particularly that devastating left hook. For Haney, the assignment will be to keep Norman off balance, force him to reset his stance, and make him walk into straight counters.

Haney’s defensive skills and ring generalship could frustrate a power puncher. Norman’s explosiveness could overwhelm a boxer who sometimes gets drawn into exchanges.

A Fight for Legacy — and Leverage

With Saudi Arabia’s growing presence in global boxing, the November 22nd card represents far more than a payday. Both fighters are in the early chapters of what could be long, defining careers. A victory here positions the winner for:

  • Multidivisional supremacy
  • Major unification bouts
  • Global pay-per-view standing
  • Seven-figure purses

But only one man leaves Riyadh with momentum, leverage, and the power to dictate what comes next.

On one side: a polished technician with championship pedigree.
On the other: a young knockout artist with one of the sport’s most feared weapons.

On November 22nd, the welterweight division gets answers.

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DeKalb Leaders Weigh Sky Harbour Expansion as Residents Demand Answers

By Milton Kirby Chamblee, GA | November 16, 2025

A Virtual Town Hall Draws a Packed Online Crowd

More than 150 residents logged in on November 10 for a virtual town hall hosted by DeKalb County CEO Lorraine Cochran-Johnson and District 1 Commissioner Robert Patrick, with District 6 Commissioner Ted Terry serving as co-sponsor.
The discussion centered on the future of DeKalb-Peachtree Airport (PDK) and a major proposed expansion by Sky Harbour, LLC.

The meeting brought together residents, business owners, and aviation leaders to talk through growth, environmental impact, aircraft noise, and the long-term vision for one of the county’s most important assets.

“PDK is one of DeKalb County’s greatest economic assets, but progress must always be guided by responsibility and community input,” Cochran-Johnson said.


Understanding PDK: A Busy Airport with Growing Pressure

PDK is a county-owned general aviation airport in Chamblee, roughly 11.5 miles from downtown Atlanta. It operates 24 hours a day and has averaged more than 230,000 annual takeoffs and landings since 1988.

With three asphalt runways in an H-shape—its longest stretching 6,000 feet—PDK is Georgia’s second busiest airport and ranks seventh nationwide among general aviation fields.

The airport generates most of its revenue through more than 250 ground leases for offices, hangars, and corporate tenants.

“Revenue from ground leases, along with fuel flowage fees, supports the airport’s enterprise fund and covers our annual operating and maintenance expenses,” Airport Director Hunter Hines explained.

But PDK has seen limited modernization in recent decades.

“This is something we are committed to changing,” Hines said, noting plans for transient landing fees and long-term infrastructure improvements.


Inside the Sky Harbour Proposal

Sky Harbour wants to build eight hangars on 12.8 acres on PDK’s east side at an estimated cost of $45 million.
The project would include corporate hangars, an access road, aircraft support facilities, and the ability to add solar panels and electric ground-support equipment.

Over 50 years, the project is projected to generate $576 million in local revenue:

  • $66 million for the airport
  • $211 million for DeKalb County
  • $230 million for DeKalb County Schools
  • $67 million for the City of Chamblee

County officials say the development could reduce the need for aircraft repositioning flights and help more planes use PDK as their home base. Sky Harbour estimates 600 jobs would be created through construction, operations, and workforce development.

“We’re talking about 15 or 16 aircraft based with us,” said Sky Harbour Senior Vice President Neil Szymczak. “Only a handful of operations compared to the airport’s total. We won’t be driving up traffic.”

Szymczak also said Sky Harbour would contractually commit to housing no aircraft larger than what PDK already allows.


Growing Community Concerns: Noise, Safety, and Pollution

Local residents voiced concerns about added noise, environmental impact, and larger jets coming into their neighborhoods.

PDK Watch Inc. communications director Larry Foster wrote that the project could “significantly increase the number of flights and the noise disruption” already affecting more than 100,000 residents near the airport.
“That disruption will only get worse in the future if the Sky Harbour project is allowed to go forward,” he said.

Noise remains a sensitive subject at PDK.
Cochran-Johnson noted that more than 16,000 noise complaints were filed with the FAA in 2024—but most came from a small group of residents.

Environmental questions also loomed large.

The county confirmed that an environmental study is underway and is expected to be completed by June 2026. Cochran-Johnson said the county can stop the project if the review shows significant hazards.


How the Project Reached This Point

PDK issued a request for proposals in 2023 to explore east-side development. Only one company responded.

“This was not a sole-source solicitation,” Hines said. “We received one response from Sky Harbour, and based on evaluation of the criteria, the RFP was awarded.”

Sky Harbour currently holds 19 ground leases nationwide, with nine in operation and nine under development.

The project cleared the Operations Committee on November 4, but the full DeKalb County Commission deferred its vote until November 18, citing the need for more review.

Commissioner Patrick said county leaders want full transparency before moving forward.


Leaders Promise Continued Public Input

Despite the differing viewpoints, officials closed the town hall by agreeing on one point: community input will guide the process.

“We are committed to engaging the public as these plans move forward,” Cochran-Johnson said.

County leaders emphasized that the expansion will not increase the size or weight limit of jets allowed to use PDK. Any future development, they said, must balance economic benefits with environmental protection and neighborhood quality of life.

The debate is now set to continue as the county approaches its November 18 vote—and as the environmental review moves toward its 2026 deadline.

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Bowie State’s Future Brightens with Major Philanthropic Boost from MacKenzie Scott

By Milton Kirby | Prince George’s County, MD | November 14, 2025

Bowie State University has received the largest single donation in its 160-year history — a $50 million unrestricted gift from philanthropist and author MacKenzie Scott. The announcement marks a major moment for Maryland’s oldest historically Black university and one of the fastest-growing institutions in the state.

The gift follows Scott’s earlier $25 million donation to Bowie State in 2020, bringing her total investment to the university to $75 million. Leaders say the unrestricted nature of the gift gives Bowie State the flexibility to expand scholarships, strengthen academic programs, and build long-term financial stability.

President Aminta Breaux said she was moved to tears when she learned of the gift. “I was truly at a loss for words… I was overjoyed. I was so overcome,” she said. Breaux noted that many of the university’s students are high-need, and the donation will significantly close financial gaps for those who require the most support.

MacKenzie Scott – Courtesy Vogue

“This gift has the ability to touch so many lives,” Breaux said. “Higher education is the pathway to upward social mobility for our students.”

Brent Swinton, Bowie State’s vice president for philanthropic engagement, called the donation “transformational,” saying it will inspire additional donors and help fuel new opportunities across the university.

Scott, who has given more than $1.7 billion to higher education and nonprofit organizations in recent years, has made large investments in several historically Black colleges and universities nationwide. Her support places Bowie State among a select group of institutions experiencing major increases in private philanthropy.

Bowie State is already in a period of growth, offering more than 30 undergraduate majors, over 21 master’s programs, 18 specialty certificates and three doctoral degrees in fields ranging from cybersecurity and nursing to business, education and STEM.

University officials say they plan to direct a large share of the funds toward student scholarships, faculty development, research expansion and new academic initiatives. Additional details are expected as planning continues.

The gift also increases the university’s ability to make long-term investments that strengthen the student experience — including campus modernization projects, expanded support services and new industry partnerships.

A deeper look at Bowie State’s long history shows why this moment carries such meaning for the institution.

Bowie State’s roots trace back to January 9, 1865, when an organization known as the Baltimore Association for the Moral and Educational Improvement of the Colored People opened a school inside the African Baptist Church at Calvert and Saratoga streets. The association, formed by 46 businessmen, lawyers, clergymen and Quakers, was committed to educating Maryland’s newly emancipated Black citizens.

One of its strongest advocates, Joseph M. Cushing, openly criticized the state for refusing to fund education for Black residents, predicting that Maryland would someday be forced by public opinion to do so. The first school—known as School No. 1—offered basic education courses. Teacher-training classes were added in 1866, and by 1867 the institution expanded with support from the Freedmen’s Bureau and Quaker donors.

The state took control of the school in 1908, renaming it Normal School No. 3. A move to Bowie soon followed, with Maryland purchasing a 187-acre tract of farmland to establish a new campus that opened in 1911. Don Speed Smith Goodloe became the first Black principal to lead the school.

Through the 1920s and 1930s, the curriculum continued to grow, transitioning from the Maryland Normal and Industrial School at Bowie to the Maryland Teachers College at Bowie in 1938. Liberal arts programs were added throughout the 1960s, and the state officially renamed the school Bowie State College in 1963.

Graduate education began in 1969 with the creation of the Master of Education program. Bowie State continued its rise through the 1970s and 1980s, and in 1988 the institution transitioned to Bowie State University. On the same day, it became part of the newly formed University System of Maryland.

The university gained national attention for its work in science, technology, engineering and mathematics. In 1995, Bowie State won an 11-year, $27 million NASA/NSF award, becoming one of just six national Model Institutions for Excellence in STEM.

Today, Bowie State ranks among the nation’s leading comprehensive universities, preparing students to thrive in a rapidly changing, highly technological world. The new $50 million gift strengthens that mission, linking a 160-year legacy of resilience with a future defined by opportunity and innovation.

With expanded scholarships, stronger academic programs and broader research capacity, Bowie State is positioned to open doors for generations of students who will carry the institution’s legacy forward.

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Philander Smith University Receives Historic $19 Million Gift from MacKenzie Scott

Philander Smith University received a record $19 million unrestricted gift from philanthropist MacKenzie Scott, boosting scholarships, campus upgrades, student success efforts, and long-term HBCU sustainability.

By Milton Kirby | Little Rock, AR | November 14, 2025

Philander Smith University (PSU) has received an unrestricted $19 million gift from philanthropist MacKenzie Scott. It is the largest single donation in the university’s 147-year history. University leaders say the contribution strengthens academic programs, student support, and long-term planning for the historic Little Rock HBCU.

A Gift with Full Flexibility

The donation is unrestricted, giving the university freedom to direct funds where they are most needed. That flexibility allows PSU to respond quickly to student needs, expand programs, and improve facilities without donor-imposed limits.

A Historic Institution with a Unique Mission

Founded in 1877, Philander Smith University is a small, private, historically Black liberal arts institution related to the United Methodist Church. It offers four undergraduate degrees — the Bachelor of Arts, Bachelor of Science, Bachelor of Business Administration, and Bachelor of Social Work — along with a Master of Business Administration (MBA).

The university’s mission is to graduate academically accomplished students who are grounded as advocates for social justice and committed to changing the world for the better.

PSU is also the only United Negro College Fund member institution in Arkansas, serving students of all backgrounds regardless of race, religion, sex, national origin, or ethnicity.

Leadership Responds

President and CEO Dr. Maurice D. Gipson said the contribution marks a major step forward.

“This gift is a resounding vote of confidence in our mission and our momentum,” Dr. Gipson said.
“It positions us to invest boldly in student success, facilities enhancement, and programs that prepare the next generation of Philander Smith leaders.”

MacKenzie Scott – Courtesy Vogue

Why This Gift Matters

HBCUs often operate with smaller endowments and historic funding inequities. Rising costs and enrollment shifts have increased pressure on many campuses. PSU leaders say the unrestricted gift will support scholarships, strengthen the endowment, and modernize facilities — areas essential for long-term growth.

Research shows that large, flexible donations like Scott’s can boost retention, expand academic offerings, and stabilize financial planning at HBCUs.

Scott’s Growing Impact on HBCUs

Since 2020, Scott has reduced her Amazon stake by 42 percent, selling or donating about 58 million shares. She is still worth more than $35 billion today, even after donating more than $19 billion through her philanthropic platform, Yield Giving. Created in 2022, Yield Giving supports thousands of organizations focused on education, equity, disaster recovery, and community advancement.

Her focus on large, unrestricted gifts has made her one of the most influential philanthropic partners for historically under-resourced institutions.

Scott’s donation to Philander Smith continues her record of large contributions to historically Black colleges and universities. Over the past five years, she has made significant gifts to institutions such as Prairie View A&M University, Bowie State University, North Carolina A&T University, and others.

These gifts have helped HBCUs build endowments, expand programs, and stabilize campuses that operate with far fewer financial resources than many predominantly white institutions.

Looking Forward

For Philander Smith University, the $19 million donation is more than a financial boost. It represents trust in the school’s mission, momentum for new initiatives, and an opportunity to deepen its impact on Little Rock and the region.

The gift provides stability and room for growth as PSU prepares the next generation of students and community leaders.


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North Carolina A&T Endowment to Top $300 Million After MacKenzie Scott’s Landmark Gift

MacKenzie Scott gives North Carolina A&T a historic $63 million gift, boosting its research goals, student success, and endowment as the university advances toward national R1 status.

By Milton Kirby | Greensboro, NC | November 14, 2025

North Carolina Agricultural and Technical State University has received the largest single gift in its 134-year history — a record-setting $63 million investment from philanthropist and author MacKenzie Scott.

The announcement marks a major moment for the nation’s largest HBCU. It also deepens Scott’s relationship with the university, following her $45 million gift in 2020, which brought her total support to $108 million.

MacKenzie Scott – Courtesy Vogue

Chancellor James R. Martin II said the latest contribution demonstrates Scott’s trust in A&T’s mission and growing national prominence.

“No investor in higher education history has had such a broad and transformational impact across so many universities,” Martin said. “North Carolina A&T is deeply grateful for Ms. Scott’s reaffirmed belief in our mission and for the example she sets in placing trust in institutions like ours to drive generational change through education, discovery and innovation.”


A National Leader Rooted in History and Excellence

North Carolina A&T stands as one of the nation’s most dynamic universities — a land-grant research institution, a cultural pillar, and America’s largest HBCU for seven consecutive years. It is also the #1 producer of degrees awarded to African Americans in North Carolina and the leading HBCU STEM institution in the country.

The university’s diverse and global community includes students from across the nation and six continents, upheld by a tradition of excellence and alumni who hold influential roles in government, industry, and academia.

Photo by Milton Kirby – NC A&T – Murphy Hall

A&T’s achievements include:

  • 66 patents issued from faculty and student research
  • A growing number of spin-off and start-up companies
  • The top public HBCU business school in the country
  • National recognition for engineering, agriculture, and science excellence

In recent years, the university has experienced rapid expansion. Enrollment surpassed 15,000 students in Fall 2025, and A&T opened major new facilities, including the $90 million Engineering Research and Innovation Center and a new 450-bed residence hall. Four new academic centers of excellence also debuted in the past year.

This foundation of growth sets the stage for Scott’s latest gift — and what it will help the university achieve next.


Fueling A&T’s Path to Research Leadership

Scott’s investment aligns directly with Preeminence 2030: North Carolina A&T Blueprint, the university’s strategic plan guiding its push toward the Research 1 (R1) Carnegie Classification — the highest level of research activity in the country.

The funding strengthens A&T’s capacity in key areas where it already leads, including:

  • Engineering
  • Agriculture and environmental sciences
  • Life and health sciences
  • Data science
  • Artificial intelligence

“This is an investment in A&T’s capacity to solve society’s most pressing challenges,” Martin said. “It will accelerate our momentum as a research and innovation powerhouse, ensuring that A&T continues to lead at the intersection of technology, human progress and social transformation.”


Supporting Students, Expanding Research, and Strengthening Generational Wealth

Because the gift is unrestricted, A&T can deploy resources where they will have the most impact — from bolstering student success and faculty recruitment to advancing interdisciplinary research.

The timing is pivotal. A&T’s endowment exceeded more than $202 million as of June 2024, the largest among all public HBCUs and one of the fastest-growing university endowments in the Southeast. Only a decade earlier, the figure stood below $60 million.

With Scott’s latest investment, the university’s endowment is projected to surpass $300 million, bolstering long-term stability and supporting competitive research portfolios, scholarships, and expanded federal and industry partnerships.

Board of Trustees Chair Gina L. Loften ’90 said Scott’s investment will have a lasting impact.

“On behalf of the North Carolina A&T Board of Trustees, I extend our deepest gratitude to Ms. Scott for her extraordinary gift,” Loften said. “This transformative investment will strengthen our capacity to fulfill A&T’s mission of exemplary teaching, innovative research, and service that lifts communities.”

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Ruby Bridges and the Longest Walk to School

At six years old, Ruby Bridges walked through a hateful mob into William Frantz Elementary, turning a school day into a turning point for America.

By Milton Kirby | New Orleans, LA | November 14, 2025


A Little Girl at the Center of History

On November 14, 1960, a six-year-old girl in a starched dress and white shoes climbed the steps of William Frantz Elementary School in New Orleans. Four federal marshals flanked her — two in front, two behind — as a screaming mob hurled slurs, objects, and threats.

Her name was Ruby Nell Bridges.

That short walk into first grade changed the course of American history.

Born on September 8, 1954, in Tylertown, Mississippi, Ruby came into the world just months after the U.S. Supreme Court issued its landmark Brown v. Board of Education decision, declaring segregated public schools unconstitutional. Her early life, however, bore no resemblance to a legal victory. She grew up on a sharecropping farm, the eldest of five children born to Abon and Lucille Bridges, in a system designed to keep Black families poor and trapped on the land.

When Ruby was four, her parents left that world behind, moving to New Orleans in search of better work and a better future. Her father found a job as a gas station attendant. Her mother took night work to help support their growing family. Ruby helped watch her younger brothers and sister and walked a long way each day to an all-Black kindergarten, even though an all-white school sat just five blocks from her home.

That distance — five blocks that might as well have been a different country — became the line she was asked to cross.


A Test Meant to Exclude, and a Mother Who Said Yes

By 1960, under pressure from federal courts to comply with Brown v. Board, the Orleans Parish School Board tried a different tactic: administering an entrance exam for Black children. The test was designed to be difficult, with the hope that few, if any, would pass. If the children failed, white officials hoped, they could claim integration just wasn’t “practical” and delay it even longer.

Ruby’s father wanted no part of it. He feared exactly what would come — trouble, backlash, danger. Her mother, Lucille, saw something else: a chance for her daughter to get a stronger education and, just as important, to open a door “for all African-American children,” not just her own.

They argued. They prayed. And in the end, Lucille convinced Abon to say yes.

Out of all the Black children who took the test in New Orleans, only six passed. Three were assigned to McDonogh No. 19 Elementary. Ruby Bridges would be the only Black child sent to William Frantz — and the first Black child to integrate an all-white elementary school in the Deep South.

The court orders stated that the schools would open in September. Louisiana politicians responded with delay, stalling integration with every legal trick they could find. It took until November 14, 1960, for the judge’s order to finally break through.

That Monday morning, federal marshals drove Ruby and her mother the five blocks to William Frantz. In the car, the marshals calmly explained how they would walk around her to shield her from danger. Ruby, who had grown up watching parades and Mardi Gras crowds, thought the screaming crowd outside the school might be some celebration.

It was not.


Inside the School, Alone in a Classroom

White parents rushed to pull their children from the building as soon as Ruby walked in. Every teacher but one refused to teach while a Black child was enrolled. That first day, Ruby and her mother never made it to a classroom at all; they spent the day in the principal’s office while chaos raged outside.

On the second day, a young white teacher from Boston, Barbara Henry, came to meet her.

“Good morning, Ruby,” she said with a smile. “I’m your new teacher.”

Henry was the only educator willing to teach Ruby that year. Every other child assigned to her class was withdrawn or transferred, leaving Ruby as the single student in a first-grade room built for many. For the rest of that school year, Mrs. Henry taught her one-on-one — phonics, numbers, reading, writing — often sitting side by side at tiny desks rather than standing at the front of the room.

Outside the classroom, hate tried to make its presence felt daily. A white woman waved a Black baby doll in a coffin. Another threatened to poison Ruby, prompting the marshals to insist she only eat food brought from home. She could not go to the cafeteria. She couldn’t play outside during recess. Even to use the restroom, she had to be escorted down the hallway by federal marshals.

And yet, every day, she walked through that mob “like a little soldier,” Charles Burks, one of the marshals who escorted Bridges, later recalled. She did not cry. She did not turn back. Her resilience in the face of such adversity is a testament to the strength of the human spirit.


The Cost — and Quiet Courage — of One Family’s Decision

The Bridges family paid a steep price for that walk to school. Their sacrifices, both personal and financial, are a stark reminder of the toll that the fight for equality can take on individuals and families.

Ruby’s father lost his job at the gas station. The family’s regular grocery store refused to serve them. In Mississippi, her grandparents were turned off the land they had sharecropped for 25 years because of “the trouble” their granddaughter was causing in New Orleans. Under that kind of pressure, her parents’ marriage strained and eventually broke apart.

But the story was not only about hostility. Some white families chose to keep their children at William Frantz. A Methodist minister, Lloyd Anderson Foreman, walked his five-year-old Pam daughter through the mob, telling reporters, “I simply want the privilege of taking my child to school.” A neighbor gave Ruby’s father a new job painting houses. Others babysat, watched the family’s home to deter threats, and even walked behind the marshal’s car as Ruby traveled to school. These acts of solidarity show that change is possible, even in the face of deep-seated prejudice.

Child psychiatrist Dr. Robert Coles, disturbed by what he saw on the news, volunteered to counsel Ruby during that year. He met with her regularly at home, trying to understand how a child could carry such a burden. Years later, he would write The Story of Ruby Bridges for children and support the Ruby Bridges Foundation with his royalties.

Through it all, Ruby’s mother urged her to lean on faith. “If you’re afraid, pray,” she told her daughter. Ruby began praying on the way to school and, in time, even prayed for the people screaming at her. Years later, she recalled one morning when her teacher saw her lips moving as she walked through the crowd.

“Were you talking to them?” Mrs. Henry asked.

“No,” Ruby said. “I was praying for them.”


Life After the Mob, and the Work That Continues

By the time Ruby reached second grade, the mobs had thinned, the marshals were gone, and other Black children had quietly entered the school. Mrs. Henry, who had stood with her in that first, lonely year, was not invited back. The city, and much of the country, seemed eager to forget that ugly chapter.

Ruby finished elementary school at William Frantz, graduated from an integrated high school, and built a life in New Orleans. She studied travel and tourism, worked for years as a travel agent, married Malcolm Hall, and raised four sons. For a long time, she rarely spoke about what had happened when she was six.

That changed in the 1990s, when reporters, scholars, and schoolchildren began to ask: What happened to the little girl in Norman Rockwell’s famous painting, The Problem We All Live With? The painting, based on her walk into William Frantz, shows a small Black girl in a white dress, escorted by marshals past a wall splashed with a racial slur and a smashed tomato.

By then, Ruby had returned in a quiet way to William Frantz, volunteering as a parent liaison and helping families navigate the school system. She also reunited with Mrs. Henry after more than three decades. The two women, one Black and one white, one from New Orleans and one from Boston, picked up an old connection that had never really faded.

In 1999, Ruby founded the Ruby Bridges Foundation, dedicated to “the values of tolerance, respect, and appreciation of all differences.” As she often says, “Racism is a grown-up disease, and we must stop using our children to spread it.”

She has spent the years since speaking at schools, churches, museums, and universities, telling a new generation what it means to be the child at the center of a nation’s battle over who belongs in its classrooms.


The Other Three Who Walked That Morning

Ruby Bridges was not the only child who climbed into a federal marshal’s car on November 14, 1960. That same morning, just a few blocks away in the Lower Ninth Ward, three other six-year-old girls — Leona Tate, Gail Etienne, and Tessie Prevost — stepped into history as well.

Together with Ruby, they are known as the “New Orleans Four,” although for decades their story was eclipsed by the spotlight that was placed almost solely on Bridges.

These three children integrated McDonogh No. 19 Elementary School, a traditionally all-white school that had resisted the Supreme Court’s Brown v. Board ruling for six long years. Like Ruby, they passed the same deliberately difficult entrance exam meant to keep Black children out of white classrooms.

That morning, federal marshals arrived at each girl’s home to escort them to their first day of first grade. As the car approached McDonogh 19, the girls heard a roaring crowd and — being New Orleans children — assumed it was Mardi Gras.

Gail Etienne, seen being escorted by a U.S. Marshal (Courtesy of the Historic New Orleans Collection)

But what awaited them was no parade.

In front of the school, white protesters beat garbage-can lids, waved signs, and screamed hatred so loud and vicious that it startled even the federal escorts. “If they could get to me, they’d kill me,” Etienne later said. “At six years old, I’m wondering what I could have done to make people react this way.”

Within minutes of their arrival, every white student was pulled out of the building. The McDonogh Three sat outside the principal’s office as children streamed out around them. By day’s end, they were the only three students left in the school.

For their safety, the windows were covered with paper. The girls were unable to use the lunchroom. Their teacher, Mrs. Meyers, a young white woman from New Orleans, created a refuge for them — teaching lessons, offering comfort, and letting them jump rope and play hopscotch in the hallways instead of going outside.

Their courage came at immense cost, just as Ruby’s did. Their presence helped force open New Orleans’ schoolhouse doors and contributed to the moral and political momentum that later fueled the 1964 Civil Rights Act.

Today, their legacy is newly recognized:

Leona Tate now owns the McDonogh 19 building, converting it into a civil rights museum through the Leona Tate Foundation for Change.
Tessie Prevost, who later spent decades working quietly at the LSU School of Dentistry, passed away July 6, 2024, her contribution finally receiving the attention it long deserved.
Gail Etienne continues to speak publicly about that day she mistook the mob for a Mardi Gras crowd — childhood innocence shattered in seconds.

Their bravery — alongside Ruby Bridges’ — reminds the country that school desegregation was never the work of one child alone. It was carried by four 6-year-old girls who faced mobs, terror, and abandonment to open the doors of American education.


From Desegregation to the DEI Backlash

Ruby Bridges’ walk into William Frantz Elementary helped open the doors of American public education. My own mother later rode buses into newly integrated schools in Southern California, part of that first generation of students who tried, in good faith, to build classrooms that truly reflected the country around them.

Within a single lifetime, many of those gains are under new attack.

School districts are banning books that deal honestly with race. Diversity, equity, and inclusion programs are being dismantled or defunded. Legal and political campaigns promise a return to a colorblind “meritocracy” that looks suspiciously like the old order in new clothes.

The mobs outside Ruby’s school carried signs and shouted slurs. Today’s fights often come wrapped in legal language and policy briefs. But at the heart of the struggle is the same question: Who gets to belong, and on what terms?


Ruby’s, Leona’s, Gail’s, and Tessie’s Mandate for Our Moment

Ruby Bridges was not an activist when she first climbed those steps. She was a child who loved jump rope, softball, and her younger siblings. The same was true for Leona, Gail, and Tessie — little girls thrust into a national confrontation over who deserved an equal education.

Their bravery was theirs.
The consequences were theirs.
And the mandate they carried is now ours

Today, as elders of the civil rights generation, Ruby, Leona, Gail, and the late Tessie Prevost leave behind a truth America must confront: schools can still be places that either bring children together or tear them apart.They opened the doors. They set the example. They showed the cost.

The question, now as then, is whether the country is willing to honor that sacrifice — in our school boards, in our policies, in our public memory, and in the stories we teach our children.

Their walk was not just a moment.
It was a mandate.

Their walk into William Frantz  and McDonogh 19 did not end segregation everywhere. It didn’t erase racism. But it drew a clear line between the world we inherited and the world we’re still trying to build.

The question now and then is whether the country has the will to honor it — in our policy fights, in our school districts, and in the stories we choose to tell our children about what happened on those steps in New Orleans, and why it still matters.


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Prairie View A&M Celebrates Transformational Philanthropy from MacKenzie Scott

Prairie View A&M University receives a record $63 million gift from MacKenzie Scott, boosting scholarships, research, and long-term growth in one of the largest HBCU donations ever.

By Milton Kirby | Prairie View, TX | November 14, 2025

A Record-Breaking Moment for PVAMU

Prairie View A&M University has received the largest single gift in its 149-year history — a $63 million unrestricted donation from philanthropist and author MacKenzie Scott.

The university announced the news on Thursday, calling the investment a powerful vote of confidence in Prairie View’s mission, leadership, and rising research profile.

This new gift comes five years after Scott’s earlier $50 million donation. Together, her support now totals $113 million, marking one of the most significant philanthropic commitments ever made to a Historically Black College or University.

MacKenzie Scott – Courtesy Vogue

A Boost for Students, Research, and the Future

President Tomikia P. LeGrande said the gift is “defining and affirming,” and will accelerate the university’s long-range plan, Journey to Eminence: 2035.

The university plans to expand:

  • Scholarships and student support services
  • Faculty research and innovation in areas like artificial intelligence, cybersecurity, agriculture, public health, and space science
  • Endowment growth, giving PVAMU long-term financial strength

The timing aligns with a major milestone — PVAMU’s largest-ever enrollment of 10,106 students.

Why Unrestricted Funding Matters

Scott’s giving style sets her apart: she allows universities to decide how best to use the funds. PVAMU leaders say that flexibility is crucial for sustained excellence, especially as many HBCUs continue working to close long-standing funding gaps.

A Rising Star Among Public HBCUs

Prairie View A&M, part of the Texas A&M University System, has sharpened its focus on high-impact research in recent years.

University officials say the gift will:

  • Help strengthen PVAMU’s position as a national research institution
  • Expand opportunities for first-generation and low-income students
  • Support community and workforce development across Texas

What Comes Next

President LeGrande said the gift is not only a celebration but a call to action:
This investment amplifies the power and promise of a Prairie View education.”

To honor that promise, PVAMU plans to track and report measurable outcomes tied to student success, faculty advancement, and research impact.

With one of the largest philanthropic boosts in HBCU history, Prairie View A&M now enters a new chapter — one marked by momentum, vision, and opportunity.

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Images That Captured a Movement: Jim Alexander’s Historic Body of Work

Documentary photographer Jim Alexander spent seven decades framing Black life, from civil rights marches to jazz stages. Emory’s new Getty-funded project secures his archive forever.

By Milton Kirby | Atlanta, GA | November 14, 2025

When Jim Alexander picked up a camera in Navy boot camp in 1952, he wasn’t thinking about history. He was thinking about hustle.

The 17-year-old from Waldwick, New Jersey, had just won a camera in a friendly dice game at Bainbridge, Maryland. He started taking pictures of fellow sailors and selling the prints for fifty cents apiece. It was a simple exchange at first — a snapshot for some loose change — but it set the course for one of the most crucial documentary photography careers of the last century.

Over more than 60 years, Alexander turned that chance roll of the dice into a body of work that chronicles Black life, culture, struggle, and joy across America. His work has covered protests in Boston and Washington to jazz stages in Atlanta and New Orleans. Now, thanks to a new Getty Foundation grant, his vast archive at Emory University’s Stuart A. Rose Manuscript, Archives, and Rare Book Library is being carefully processed and preserved so future generations can see what he saw.

From a New Jersey Childhood to a Navy Darkroom

James “Jim” Alexander was born August 7, 1935, in Waldwick, New Jersey, one of 12 children of David and Frances James Alexander. Jobs were scarce, and opportunities for Black families to build wealth were even scarcer. The Navy offered a way out — a paycheck, a trade, a chance to see the world.

In Charleston, South Carolina, after boot camp, Alexander asked the base photographer to look at his pictures. The older man recognized his talent and began teaching him 35mm and large-format photography. The darkroom became another classroom, and the craft slowly began to take root.

After his service ended in 1956, Alexander put the camera aside for a while. He worked everyday jobs, but the pull of photography never really left. By the early 1960s, he enrolled at the New York Institute of Photography (NYIP), from which he earned a degree in commercial photography in 1968. He also earned a certificate in business organization and management from Rutgers University, equipping him with both the artistic and practical skills to build a successful career.

The Year Everything Changed: 1968

The year 1968 became a hinge in Jim Alexander’s life. It was the year he graduated from NYIP. The year he had his first exhibition. The year he met the legendary photographer Gordon Parks and began a friendship that would shape his thinking.

It was also the year Dr. Martin Luther King Jr. was assassinated. In the grief and anger that followed, Alexander started what would become his life’s signature project: SPIRITS/MARTYRS/HEROES.

The series, which he has continued to add to for more than 40 years, documents the impact of African Americans on politics, art, religion, culture, and everyday life — from civil rights marches and prisoner justice campaigns to concerts, community meetings, and quiet moments of ordinary people refusing to give up.

Parks listened as Alexander explained his plan to devote ten years to documenting human rights and the Black experience. Parks respected the vision, but warned him bluntly that nobody would pay him just to “run around shooting anything that interests you.” The solution Alexander arrived at became his life model: he would teach to support the work, and he would let the work speak for the people.

A “Participant Observer” with a Purpose

Alexander calls himself a “participant observer.” He never pretends that his presence has no impact on the scene. But he also refuses to become the story. He stands close enough to feel the heat, yet far enough to let the subject breathe.

His intention is clear in the way he photographs Black people. In a media environment that often distorted or demonized African Americans, Alexander insisted on images that carried dignity, complexity, and truth. He understood that a photograph could build or destroy — and that the responsibility lies in the hands of the person holding the camera.

Even before he fully named his mission, he was already working in that spirit. In the mid-1960s, he documented anti-war marches and peace rallies across the North and the Southeast. He photographed civil rights and human rights protests, school desegregation marches in Boston, rallies for the Wilmington 10, and demonstrations against apartheid and the Ku Klux Klan. His camera followed not just the famous faces at the microphone, but the people in the crowd who carried the risk and the hope.

Building Community Spaces for Art and Action

Alexander’s career has never been limited to taking pictures. Over and over, he has built spaces where artists, organizers, and everyday people could meet.

On a bus from Ridgewood, New Jersey, to New York, he struck up a conversation with fellow photographer Eric Maristany. That encounter led him to a video studio making educational filmstrips on the civil rights movement. Alexander volunteered there, sharpening his documentary eye and deepening his connection to movement work.

In 1970, Yale University’s School of Art and Architecture hired him as a consultant and photography instructor for the Black Environmental Studies Team and The Black Workshop. In New Haven, he opened Jim-Alex Studio Gallery in 1971, showcasing his own work as well as that of other photographers. The studio quickly turned into a hub. Community meetings were held there, and the Connecticut Black Media Coalition took shape within its walls.

True to his belief in “art for people’s sake,” he founded the Freedom Arts Communications Team (F.A.C.T.) in 1972 — a collective of musicians, visual artists, poets, media workers, and community advocates. FACT launched community arts festivals, worked with schools and the Police Athletic League, and ran a visiting-artist program serving youth and adults across New Haven.

Atlanta, the Black Arts Movement, and the Neighborhood Arts Center

Atlanta became home in 1976, when Alexander accepted a job as director of audiovisual communications for the Federation of Southern Cooperatives. The organization focused on saving and expanding the landholdings of Black farmers across the South — another front in the struggle for economic and human rights.

He arrived just as the Black Arts Movement was reshaping the city’s cultural landscape. In 1975, Mayor Maynard Jackson’s administration helped launch the Neighborhood Arts Center (NAC), which became the beating heart of Atlanta’s Black arts scene. Alexander joined as photographer-in-residence in 1977 and set about documenting everything that moved — dance rehearsals, writing workshops, political meetings, children’s classes, and legendary visitors.

One of those visitors was artist and author Romare Bearden, whose appearance at the NAC Alexander captured in a series of photos that now sit in major collections. His images from the NAC years form a visual diary of a moment when Black Atlanta declared its art, culture, and people beautiful on their own terms.

From 1984 to 1990, he served as photographer-in-residence at Clark College, which later merged with Atlanta University to become Clark Atlanta University. He mentored students who worked on the yearbook and campus newspaper, and he documented the meetings and ceremonies that led up to the AU/CC merger.

Framing the Soundtrack: Jazz, Blues, and Black Music

At some point, Alexander realized that almost every event he photographed began with music. In churches, community centers, protest marches, and festivals, someone would sing, play, or lead a chant before anything else happened. That pattern prompted him to examine musicians more closely — and to make Black music a central thread in his work.

For the inaugural National Black Arts Festival in 1988, he produced Blues Legacy, an exhibit honoring the musicians who turned pain into poetry. That same year, he created Duke and Other Legends: Jazz Photographs by Jim Alexander, a touring exhibit and monograph featuring 50 classic jazz musicians. Supported by the National Endowment for the Arts and the Southern Arts Federation, the show traveled to 13 cities in the South.

Over the decades, Alexander has photographed an extraordinary roster of performers, including Duke Ellington, Count Basie, Ella Fitzgerald, Miles Davis, and many others. His jazz and blues images capture not only the stars under the lights, but the quiet concentration between songs, the closed eyes and furrowed brows that speak to the weight of the music.

Teaching the Next Generation and Building Institutions

Alexander has always made time to teach. He has led photography classes and workshops at Yale University, Emory University, Clark Atlanta University, Spelman College, Morris Brown College, Atlanta Metropolitan College, and in community programs across the city.

In the mid-1990s, he coordinated and taught “As Seen By Teens,” a summer photojournalism program at the Nexus Contemporary Art Center in Atlanta. The program helped young people learn to see their neighborhoods — and themselves — in a different light, while building practical skills in storytelling and media.

Beyond classrooms, he has helped build institutions. In 1988, he co-founded First World Bookstores, a chain specializing in African American books, art, and gifts that grew to five locations before closing in 1994. He has been a member and leader in organizations such as the Atlanta Photography Group, the National Alliance of Artists from HBCUs, and African Americans for the Arts.

His contributions have been recognized repeatedly. In 1995, Atlanta’s City Gallery East selected him as the first “Atlanta Master Artist” for its new Masters Series and mounted a 200-image retrospective, Jim Alexander: Telling Our Story, timed with the 1996 Olympic Games. He was inducted into The HistoryMakers in 2006 and has received lifetime achievement honors for his photojournalism and service.

The Emory Archive and a Getty Grant for the Future

Today, a major portion of Jim Alexander’s life work is housed at Emory University’s Stuart A. Rose Manuscript, Archives, and Rare Book Library. The collection first arrived in 2014, with additional deposits in 2016, 2018, and 2022. It includes prints, negatives, slides, and contact sheets — thousands of images from roughly 1960 to 2022.

The photographs span civil rights and anti-apartheid marches, Klan rallies and counterprotests, the March for Sisterhood and Brotherhood in Forsyth County, African Liberation Day, the Wilmington 10 demonstrations, and school desegregation marches in Boston. They also feature an extraordinary lineup of Black leaders and artists, including Romare Bearden, Angela Davis, Ralph Abernathy, John Lewis, Julian Bond, James Baldwin, Andrew Young, Jean Childs Young, and many more.

In 2025, the Getty Foundation’s Black Visual Arts Archives initiative awarded Emory a three-year, $280,000 grant to process and preserve the Jim Alexander collection. The project will fund a visiting archivist to organize and describe the materials in greater detail and will support an in-depth oral history with Alexander himself.

N’Kosi Oates, curator of African American collections at Rose Library and the project’s lead investigator, has said the grant recognizes how central the Alexander archive is to visual culture, Atlanta’s history, and the broader American story. Emory leaders describe the collection as a gift — a resource that will allow researchers, students, and community members to learn from

Alexander’s images for generations.

Even at 90, Alexander is still shooting. In the summer of 2025, his historical images were on view at multiple Atlanta venues, including The Sun ATL Gallery and the Fulton County Central Library. His camera remains focused on the same subjects that first drew him in: Black life, human rights, and the everyday courage of people who refuse to be erased.

A Living, Breathing Archive of Black America

The Jim Alexander Collection is more than a stack of boxes in a climate-controlled room. It is a visual progression through African American music, struggle, art, and love — and through the life of a man who chose to stand with his people and tell the truth.

From that first Navy dice game to the Getty-funded archive now being processed at Emory, Alexander has insisted that Black people deserve to be seen in their full complexity. His pictures hold the grief and the glory, the marches and the dances, the front-row legends and the folks in the back of the room who keep showing up.

As archivists work through thousands of prints, negatives, and slides — and as Alexander continues to step into rooms, lift his camera, and press the shutter — his role as a “participant observer” only grows more important. In an era of rapid images and fleeting memories, his work stands as a profound, steady record of Black life in motion.

And now, with his archive secured and opening wider to the public, the world will be able to see what Jim Alexander saw — and perhaps, learn to see Black America with the same care, respect, and clarity.

See Jim Alexander’s work at The Jim Alexander Collection

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