Metro Atlanta leaders urge Governor Kemp to veto HB 369, warning the bill targets five counties, undermines voter clarity, and threatens local control.
Milton Kirby | Atlanta, GA | April 5, 2026
A coalition of metro Atlanta leaders gathered at the Georgia State Capitol on March 31 to deliver a unified message: veto House Bill 369.
Led by DeKalb County CEO Lorraine Cochran-Johnson, officials from DeKalb, Fulton, Cobb, Gwinnett, and Clayton counties stood alongside members of the Georgia House Democratic Caucus to oppose the Senate substitute version of the legislation. Their appeal was directed squarely at Governor Brian Kemp.
At issue is a provision that would make local elections nonpartisan—but only in five of Georgia’s 159 counties.
A Bill Reshaped Late in the Process
State Representative Carla Drenner opened the press conference by raising concerns about how the bill evolved. She noted that HB 369 “began as something entirely different” before being significantly altered through a Senate amendment that did not receive full debate in the House.
“That matters,” Drenner said, emphasizing that legislative process ensures transparency and public trust.
Leaders argued that such a late-stage transformation raises questions about fairness, particularly given the bill’s targeted scope.
What HB 369 Would Do
Under the proposed substitute, elections for key local offices—including commissioners, district attorneys, and tax officials—would become nonpartisan in Clayton, Cobb, DeKalb, Fulton, and Gwinnett counties.
Those counties represent nearly four million residents and a significant share of Georgia’s economic activity.
Cochran-Johnson and other leaders emphasized that these same counties are largely led by Democratic and African American officials—an overlap they say cannot be ignored.
“If fairness and election integrity are truly the goals,” Cochran-Johnson asked, “why does this bill apply to only five counties out of 159?”
Concerns Over Voter Impact
Speakers repeatedly stressed that removing party affiliation from ballots could make it harder for voters to make informed decisions.
“It matters who represents you,” Cochran-Johnson said. “Party affiliation is often a precursor to values and ideology.”
Clayton County Chairwoman Dr. Alieka Anderson Henry echoed that concern, warning the bill would create “two different election systems” within the same state—one for most counties and another for just five.
“That is not fairness,” she said. “That is discrimination.”
A Broader Question of Local Control
Beyond voter clarity, leaders framed the issue as one of local governance.
Henry County Chairwoman Carlotta Harrell, whose county would not be directly affected, said the bill sets a troubling precedent.
“If the state can redefine election structures in one set of counties today,” she said, “it opens the door for similar interventions across the state in the future.”
That sentiment was echoed across the podium: decisions about local elections, they argued, should originate within local communities not be imposed by the state.
A United Regional Front
The event brought together an unusually broad coalition of elected officials across metro Atlanta, signaling the regional weight behind the opposition.
Gwinnett County Representative Dr. Jasmine Clark described the bill as a “targeted” effort to reshape political power, while Cobb County Chairwoman Lisa Cupid called for collaboration rather than division.
Even counties not directly impacted stood in solidarity, underscoring concerns that the legislation could reshape governance statewide.
The Call to Action
Cochran-Johnson closed her remarks with a direct appeal to the governor.
“If our counties, our state, and our nation are to remain beacons of democracy,” she said, “we must reject laws like HB 369 that target, divide, and discriminate under the guise of good policy.”
She added a final warning: “Today, both the people and the world are watching Georgia. Let us not fall on the wrong side of history. Democracy has a price.”
As of this writing, Governor Kemp has not publicly indicated whether he will sign or veto the bill.
Metro leaders say they will continue to monitor its progress—and remain prepared to push back.
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The Obama Foundation has announced a major youth programming partnership with After School Matters, positioning Chicago teens at the center of its mission as the Obama Presidential Center prepares to open this summer.
The partnership will bring paid, hands-on programs to teens across Chicago’s South Side, marking a significant investment in youth development, workforce readiness, and community engagement. The initiative will operate through the Center’s Teen Action Lab, a dedicated space designed to empower young people with practical skills, mentorship, and leadership opportunities.
According to the Foundation, the programs will launch in July with two initial offerings: Basketball, Health & Wellness and Volleyball, Health & Wellness. Both programs will take place at Home Court, a key facility on the Presidential Center campus, and are open to high school students ages 14 to 18 from South Shore, Woodlawn, and Washington Park.
Participants will not only gain access to structured athletic programming, but also receive stipends—an important feature that reflects a broader commitment to valuing teens’ time, effort, and growth.
“This is about more than sports,” said Valerie Jarrett, CEO of the Obama Foundation, in the official announcement. “It’s about building skills, strengthening communities, and inspiring the next generation of changemakers.”
The collaboration signals a deeper alignment between two organizations with long-standing commitments to youth empowerment. For more than 35 years, After School Matters has provided Chicago teens with access to after-school and summer programs spanning the arts, STEM, communications, and leadership development. Its project-based model, led by industry professionals, has reached hundreds of thousands of young people across the city.
Mary Ellen Caron, CEO of After School Matters, emphasized the broader impact of the partnership, noting that programs like these create safe, welcoming spaces where teens can grow both personally and professionally.
“Sports can be a gateway,” Caron said. “They build confidence, create connection, and open doors to mentorship and opportunity that extend far beyond the court.”
The Teen Action Lab is expected to expand over time, with additional programming and partnerships already in development. Organizations such as My Brother’s Keeper Alliance, Girls Opportunity Alliance, Chicago Public Schools, the Chicago Park District, the Chicago Public Library, and Laureus USA are all expected to contribute to a growing ecosystem of youth-focused initiatives at the Center.
The announcement underscores the broader vision behind the Obama Presidential Center—not just as a museum or tourist destination, but as a living civic space rooted in community impact. Located on Chicago’s South Side, the Center aims to generate economic opportunity while serving as a hub for education, leadership, and public engagement.
For teens in surrounding neighborhoods, the opportunity is immediate and tangible: paid programs, skill-building experiences, and direct access to mentorship—all within a space designed to reflect their potential.
Applications for the Teen Action Lab programs are now open, with limited spots available. Interested students must complete a Program Interest Form and participate in an interview process.
As the Obama Presidential Center prepares to open its doors, this partnership offers an early glimpse into how the campus intends to function—not just as a symbol of history, but as an active investment in the future.
SNAP benefits in 2026 bring updated income limits, work requirements, and policy changes under federal law, impacting how low-income households qualify for food assistance nationwide.
Milton Kirby | Decatur, GA | April 4, 2026
The federal government’s largest anti-hunger program is entering a period of renewed attention, as policy updates and eligibility rules continue to shape how millions of Americans access food assistance.
The Supplemental Nutrition Assistance Program (SNAP), administered by the U.S. Department of Agriculture, remains a critical safety net for low-income families, seniors, and individuals facing economic hardship. Its mission is straightforward but essential: increase food security, improve nutrition, and support American agriculture.
Recent legislative changes tied to the One Big Beautiful Bill Act of 2025, signed by Donald Trump on July 4, 2025, have introduced new policy considerations. Federal agencies are continuing to release guidance on how those provisions will be implemented, signaling that SNAP may evolve further in the months ahead.
Who Qualifies for SNAP in 2026
Eligibility for SNAP is based on a combination of income, household composition, and resources. In most cases, households must meet both gross and net income thresholds, though households with elderly or disabled members may only need to meet net income limits.
For the current cycle (October 1, 2025 – September 30, 2026), a household of four must generally earn no more than $3,483 per month in gross income and $2,680 in net income to qualify.
Households are defined not just by who lives together, but by who purchases and prepares meals together. That means spouses and most children under 22 are typically counted as one unit, even if meals are prepared separately.
Applicants who are approved can receive benefits retroactive to the date they applied, an important provision for families experiencing sudden financial hardship.
Assets, Vehicles, and What Counts
SNAP also considers household resources, though not all assets are counted. A primary home, retirement accounts, and resources tied to programs like SSI or TANF are excluded.
In most cases, households may have up to $3,000 in countable resources, or $4,500 if at least one member is elderly or disabled.
Vehicles are treated with nuance. Cars used for work, transportation of disabled individuals, or as a primary residence are typically excluded. However, vehicles with significant market value may count toward resource limits depending on state rules.
Work Requirements and Exemptions
Work requirements remain a central feature of SNAP eligibility. Most participants must register for work, accept suitable employment, and participate in training programs if assigned.
Able-bodied adults without dependents (ABAWDs) must work or participate in qualifying programs for at least 20 hours per week to receive benefits beyond three months in a three-year period.
However, several groups are exempt from these rules, including seniors, veterans, pregnant women, individuals experiencing homelessness, and those with physical or mental health limitations.
How to Apply and Stay Eligible
Applications are handled at the state level, and applicants must go through a certification process. Once approved, households receive benefits for a set period and must recertify to continue receiving assistance.
The USDA provides a national directory of state SNAP offices, allowing applicants to find local resources and begin the process online or in person.
A Program Under Watch
As economic conditions shift and federal policy evolves, SNAP remains a focal point in national conversations about poverty, workforce participation, and food access.
For many families, the program is not just assistance, it is stability.
And in a time of rising costs and uncertain economic signals, that stability continues to matter.
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Henry County highlights infrastructure growth, job creation, and public safety gains as Chairwoman Carlotta Harrell outlines a strategic vision during the 2026 State of the County.
By Milton Kirby | Stockbridge, GA | April 3, 2026
More than 400 business leaders, elected officials, and residents gathered Thursday morning as Council for Quality Growth hosted the 2026 State of Henry County address, where Chairwoman Carlotta Harrell outlined a vision grounded in resilience, growth, and strategic planning.
Held at Stockbridge Community Church, the annual event brought together a cross-section of the region’s leadership to hear how Henry County is navigating economic pressures while continuing to expand infrastructure, public safety, and economic opportunity.
“This past year tested communities across the country,” Harrell said. “But Henry County remained strong by maximizing resources, strengthening partnerships, and continuing to move forward.”
Infrastructure and Mobility Investments Accelerate
A central focus of the address was transportation, where Harrell detailed ongoing roadway improvements across key corridors, including Henry and McDonough Parkway, Burg and Dutchtown Roads, and Mill and Rock Quarry Roads. Sidewalk expansions are also underway on Fairview and Flippen Roads.
The county plans to resurface 200 roads between now and next spring through a $43.8 million investment funded in part by SPLOST. Harrell also announced plans to pursue T-SPLOST 2 in November, signaling continued reliance on voter-backed funding for long-term mobility improvements.
Technology is also playing a role. Henry County has begun using connected vehicle systems that synchronize traffic signals with emergency vehicles to improve response times—a move reflecting broader regional innovation trends.
Public Safety Gains and Service Expansion
Public safety improvements showed measurable results in 2025. Harrell reported a 17% increase in DUI and drug-related arrests, alongside declines of up to 30% in key crime categories such as vehicle theft and burglaries.
The county also expanded services through jail renovations, accountability court programs, and telehealth partnerships for non-emergency 911 calls. Henry County Fire Rescue responded to more than 41,000 service calls last year, underscoring growing demand.
Economic Development Drives Job Growth
Economic development remains a cornerstone of Henry County’s strategy. In 2025, the Henry County Development Authority helped attract 920 new jobs and $883 million in capital investment.
Major projects include a $300 million plastics recycling facility by Nexus Circular, a $40 million investment by Brava Roofing Tiles, and a $115 million cold storage facility by United States Cold Storage.
According to federal labor data, Henry County led Georgia’s largest counties in year-over-year employment growth. Workforce partnerships with local schools and Southern Crescent Technical College are helping align training with these new opportunities.
Healthcare expansion is also underway. Piedmont Henry Hospital is adding 100 beds and three new operating rooms, signaling continued population growth and healthcare demand.
Quality of Life Investments Expand Across the County
Harrell highlighted $53 million in park and recreation investments, including new amenities at North Mount Carmel Park, Bud Kelley Park, Butler’s Bridge Park, and Cochran Park.
A major highlight is the nearly completed Henry County Aquatic Center and Outdoor Water Park, expected to open this summer. The county is also expanding senior programs and community services, reflecting a broader focus on livability.
Recognizing Service and Leadership
Several individuals and organizations were honored during the event. Kaiser Permanente and Sam Baker received Henry Hero Awards, while Officer Robert Adams was recognized for lifesaving actions during a tornado response.
Additional honors included awards to Fire Rescue teams from Stations 7 and 16, and Capital Projects Director Lynn Planchon for leadership on major county initiatives.
A Regional Vision for Growth
Harrell closed her address with a focus on planning and sustainability, highlighting the county’s Unified Land Development Initiative and regional mobility strategies.
“Growth without structure is a risk, but growth with strategy is an opportunity,” she said.
Regional leaders echoed that message. Michael E. Paris, CEO of the Council for Quality Growth, praised Henry County’s long-term vision, while Atlanta Regional Commission officials provided updates on water planning and infrastructure coordination.
Sponsors including Truist and Geosam Capital Group also reinforced the importance of public-private collaboration in shaping the county’s future.
As one of eight State of the County events hosted annually by the Council, the Henry County address continues to serve as a key forum connecting business, government, and community stakeholders across metro Atlanta.
MARTA launches Better Breeze fare system, introducing tap-to-pay and account-based transit. Riders have until May 2, 2026, to transition from old Breeze cards.
By Milton Kirby | Atlanta, GA | March 29, 2026
The Metropolitan Atlanta Rapid Transit Authority (MARTA) has officially launched its long-anticipated “Better Breeze” fare payment system, marking one of the most significant upgrades to Atlanta’s public transit experience in years.
Beginning Saturday, March 28, riders across the system will enter a five-week transition period as MARTA phases in new fare technology while temporarily maintaining elements of the old system. The transition will run through May 2, 2026.
MARTA officials say the rollout is designed to modernize how customers pay for transit, offering more flexibility, faster boarding, and a more seamless rider experience.
“We are asking our valued customers to bear with us,” said MARTA General Manager and CEO Jonathan Hunt. “Short-term inconvenience will lead to long-term improvement.”
What Riders Will Experience During the Transition
During the transition period, riders will encounter a mix of old and new fare equipment, along with ongoing construction inside stations. Temporary entrances and exits may also be in place as installation continues.
Importantly, both systems will operate simultaneously giving riders time to adjust.
Customers can still use existing Breeze cards and mobile tickets at older fare gates and validators. However, old ticket vending machines have been shut down, and riders can no longer add value to older cards.
At the same time, MARTA is encouraging riders to begin shifting to the new system.
Better Breeze Faregates & Ticketing – Courtesy MARTA
New Ways to Pay
The Better Breeze system introduces several updated payment options:
Riders can purchase new Breeze cards or tickets at upgraded vending machines and Ride Stores.
A new online platform allows customers to load and manage fare digitally, with balances tied to an account rather than a physical card.
Tap-to-pay is now available using bank cards or mobile wallets at new fare gates and on buses equipped with orange validators.
The new Breeze Mobile app also launches March 28 for both Android and iOS, replacing the previous version, which is no longer supported.
Cash payments will remain available on local bus routes, though exact change is required.
Important Deadlines and Changes
While old Breeze cards can still be used during the transition, riders are encouraged to switch to the new system by May 2.
For customers with remaining balances on old cards, MARTA will offer a transfer window from May 5 through October 30, 2026. Details on how to transfer funds will be released in the coming weeks.
Reduced Fare and Mobility customers will continue to have access to their existing balances and will receive new cards directly by mail.
Better Breeze Card – Courtesy MARTA
A Shift Toward Account-Based Transit
One of the most notable changes is the move to an account-based system. Instead of storing value on a physical card, riders’ funds will now be tied to a digital account making it easier to manage balances, replace lost cards, and use multiple payment methods.
Transit officials say this shift brings MARTA in line with modern systems used in cities across the country and around the world.
Looking Ahead
As MARTA continues installation of the new system, riders are urged to pay close attention to station signage and announcements, especially when navigating temporary changes in station access.
The agency acknowledges that the transition may feel disruptive at times but emphasizes that the improvements are designed to create a faster, more convenient transit experience for the region’s growing population.
Additional information about the Better Breeze system and upcoming changes is available at MARTA’s official website.
Kirk Jay rises from The Voice to Soul Country leader, using BPIR platform to elevate Black country artists and reclaim a powerful musical legacy.
Kirk Jay and the Rise of Soul Country: How a Small‑Town Singer Became the Voice of a Cultural Return
By Milton Kirby | Atlanta, GA | March 28, 2026
When Kirk Jay steps onto the dirt floor of a Bill Pickett Invitational Rodeo arena, the crowd doesn’t just hear a singer they witness a movement taking shape. The Alabama‑born artist, who first captured national attention with a third‑place finish on Season 15 of NBC’s The Voice, has become the face of a growing cultural reclamation: Black artists returning to a genre they helped create.
In 2025, Jay toured with the Bill Pickett Invitational Rodeo (BPIR) and served as a judge for the Soul Country Music Star competition. This year, he returns as the Show Host for Season 3 — a full‑circle moment for the platform’s first champion and winner of its $10,000 grand prize.
“I think Soul Country Music Star gave me a name,” he said. “It’s paving the way for Black country artists like me to get out there and showcase our talent. And I’m having fun. I’m building relationships, gaining fans, and growing as an artist.”
Now a central figure in both Soul Country Music Star and BPIR, Jay has become more than a performer. He is, in many ways, proof of concept. Jay said. “It helped elevate what I do and put it in front of people who needed to hear it.”
A Country Childhood in Bay Minette
Jay is quick to correct anyone who tries to claim him as a Mobile native. “I’m from Bay Minette,” he said with pride. “A lot of people say Mobile, but I spent most of my time in this little town called Bay Minette.”
His roots run deep in the red clay of South Alabama. His parents were devoted fans of old‑school country Ronnie Milsap, Mariah, Night Train and the soundtrack of his childhood blended gospel harmonies with country storytelling.
“We’re no gimmick,” he said. “My family is country. We fish, we ride, we do all the country stuff. This is our lifestyle.”
Jay’s musical journey began in church, where he taught himself piano by ear. After services, he would slip back into the sanctuary, turn to the piano, and mimic what he heard the musicians play. He never learned to read music. Even today, every song begins with a melody — a hum, a chord progression, a feeling — long before any lyrics appear.
“Producers get mad at me,” he laughed. “They say, ‘Why you always start with melody?’ But that’s just how God gave it to me.”
Finding His Voice and His Calling
Jay discovered his vocal gift in the ninth grade after winning a school talent show. That moment sparked a journey that took him across Alabama, Georgia, and Texas, performing at open mics and learning how audiences responded to his sound.
Photo courtesy BPIR – Kirk Jay
His breakout moment on The Voice came with his rendition of “In Case You Didn’t Know,” a cover delivered with such sincerity that many fans assumed it was his original. “That’s marketing,” he said with a grin. “You sing it like it was meant for you.”
For Jay, country music is not an act, it’s inheritance.
“Country music belongs to us, and nobody does it like us,” he said. “Nobody brings that feeling, that soul… like we do. We are the roots. We are the fire. We are the history.”
The Soul Country Connection
Jay’s introduction to Soul Country Music Star came through his first manager, who urged him to audition. After researching the platform, he realized he had found something rare: a space intentionally built for Black country artists.
“I said, ‘Man, this could take me to another level,’” he recalled. “And it did.”
Winning the competition opened doors not just for him, but for the movement itself. His success demonstrated that Soul Country Music Star could identify, elevate, and launch Black country talent on a national scale.
His authenticity resonates deeply with fans, especially young listeners who see themselves reflected in his journey. Many reach out with collaboration requests, concert inquiries, and messages of inspiration.
Growing Through the Rodeo
Performing at BPIR events has sharpened Jay’s artistry. Rodeo arenas are loud, cavernous, and unpredictable. Thousands of fans fill the stands, and the acoustics shift with every stomp of a boot.
“You really got to know yourself as an artist,” he said. “It’s a big platform. You have to study your craft and stay consistent.”
The rodeo crowds have embraced him, and he credits BPIR with expanding his audience, boosting his music sales, and deepening his connection to the culture that raised him.
Jay now has more than 87,000 Instagram followers many of them young Black fans who see in him a version of themselves they’ve never seen on a country stage.
Reclaiming a Sound That Started With Us
Jay speaks openly about the erasure of Black contributions to country music and the urgency of reclaiming that history.
“Country music belongs to us,” he said. “Nobody brings the soul, the feeling, the heart like we do. We’ve been pushed out, but it’s slowly evolving. We’re coming back.”
He sees Soul Country Music Star and BPIR as essential to that restoration.
“I don’t want Black country artists to feel dismissed. We matter. Our sound matters. What we bring is special. We can’t stop doing it. We have to make our mark.”
Inspiring the Next Generation
When asked about youth events like the upcoming “For Kids Sake Rodeo” in Memphis, Jay lit up at the idea of children seeing a Black country artist up close.
“It’s a chance for kids to see our culture,” he said. “Nobody getting hurt, nobody getting shot just doing what we love. Country stuff.”
Even though he isn’t scheduled to perform at that event, the concept resonated deeply. “That’s another step for our youth,” he said. “We’re training up the next generation.”
A Partnership With History
Jay’s partnership with BPIR marked a turning point in his career. Performing for thousands in packed arenas pushed him to grow as a professional and as a cultural ambassador.
“Those stages are big platforms,” he said. “Inside those rodeos, it’s sometimes hard to hear… but the fans reach out being inspired by the approach and delivery.”
His role has since expanded from performer to judge and host, helping Soul Country Music Star scout the next generation of talent. His mission is clear: ensuring that Black culture is no longer erased or sidelined from the genre it helped create.
The Soul Country Music Star Anthem
Jay is currently working on the Soul Country Music Star Anthem, written by Michelle R. Johnson. When he first read the lyrics — “We are the roots, we are the sound, we are the history…” — he felt tears forming before he reached the ten‑second mark.
“I know when a song is a hit,” he said. “This anthem is going to be powerful.”
He hopes to finish it before the first rodeo date of the season.
A Vision Bigger Than Music
As the interview wound down, Jay shared a vision that extends far beyond stages and spotlights.
“I love Bill Pickett Rodeo. I love Soul Country Music Star,” he said. “I want to keep traveling and building relationships until we are heard, respected, and seen. Until we come together as one big family.”
His dream is a world where artists respect each other’s gifts, where racism loses its grip, and where traditions Black cowboys, Black country artists, Soul Country, BPIR — are passed down to future generations.
“Life is so short,” he said. “Let’s fly. Let’s love one another. Let’s take care of our families and pass this down to our kids so the tradition lives on forever.”
A Movement, Not a Moment
As Soul Country Music Star enters its next season and BPIR continues its national tour, Jay remains focused on growth, connection, and purpose. “I just want to keep building, keep traveling, keep being heard,” he said. His vision extends beyond music toward unity, recognition, and cultural preservation.
“We’ve got to come together,” he said. “Respect each other’s gift and let the tradition live on.”
Because Kirk Jay isn’t just a singer. He’s a bridge between past and future, between erasure and recognition, between what country music became and what it was always meant to be. And as Soul Country Music Star rises, he stands at the center of a cultural return that’s only just beginning.
Country Roots, Diverse Beats: Celebrating the Rich Tapestry of Soul in Country Music.
Agricenter International Showplace Theater – 7777 Walnut Grove Rd, Memphis, TN
Bill Pickett Invitational Rodeo
Music Competition – Friday, April 10, 2026 | 7:00 pm 8:00 pm Competition
BPIR Rodeo – Saturday, April 11, 2026 | 1:30 pm or 7:30 pm
Henry County leaders gather April 2 as Chairwoman Carlotta Harrell delivers State of the County, outlining growth, development priorities, and regional collaboration shaping 2026.
By Milton Kirby | Stockbridge, GA | March 28, 2026
Henry County’s business, civic, and government leaders will gather April 2 for one of the county’s most anticipated annual events the State of Henry County Address, where vision, progress, and future priorities converge.
Hosted by the Council for Quality Growth in partnership with Henry County, the event will take place at Stockbridge Community Church and is expected to draw more than 400 attendees, including elected officials, business leaders, and community stakeholders.
At the center of the program is Carlotta Harrell, who will deliver her sixth State of Henry County address. Her remarks are expected to highlight key accomplishments from the past year while outlining strategic priorities for 2026.
Carletta Harrell – Courtesy photo
The annual gathering serves as more than a ceremonial update. It functions as a working intersection between public policy and private investment — a space where infrastructure, economic development, and quality-of-life initiatives are aligned with the needs of a growing county.
“Under Chairwoman Harrell’s forward-thinking leadership, Henry County continues to see transformative projects come to life,” said Michael Paris, emphasizing the county’s ongoing momentum.
That sentiment was echoed by Gerald McDowell, who pointed to the county’s “thoughtful development and strategic planning” as a driver of opportunity for both businesses and residents.
A Broad Coalition of Voices
This year’s program reflects the increasingly interconnected nature of regional development. In addition to Harrell’s address, attendees will hear from leaders across healthcare, finance, infrastructure, and the judicial system.
Featured speakers include:
Mike Alexander, representing the Atlanta Regional Commission and providing an update tied to regional water planning
David Kent of Piedmont Henry Hospital
Fadzai Konteh of Truist
Patrick Brooks of Geosam Capital Group
Holly Veal
Together, these perspectives reflect the multi-sector approach now required to manage growth in metro Atlanta’s outer counties — where population increases, infrastructure demand, and economic expansion are converging at a rapid pace.
A Platform for Policy and Progress
The State of Henry County is part of a broader regional series hosted by the Council for Quality Growth, which convenes similar events across multiple counties and agencies, including MARTA and the Atlanta BeltLine.
These events are designed not only to inform but to influence — creating a feedback loop between policymakers and the business community that helps shape decisions on infrastructure, zoning, transportation, and long-term planning.
For Henry County, that dialogue is increasingly critical. Positioned along key transportation corridors and experiencing steady residential and commercial growth, the county faces both opportunity and pressure: how to expand while maintaining livability.
Looking Ahead
As Chairwoman Harrell steps to the podium, the focus will likely center on balancing that growth ensuring that new development aligns with infrastructure capacity, workforce needs, and community expectations.
For attendees, the event offers more than a speech. It is a snapshot of where Henry County stands today and a roadmap for where it intends to go next.
DeKalb County leaders united at the Georgia Capitol, advancing transportation, housing, and education priorities while elevating student voices and highlighting a powerful moment of shared leadership.
By Milton Kirby | Atlanta, GA | March 27, 2026
DeKalb County leaders arrived at the Georgia State Capitol with a clear message: unity, coordination, and results.
At this year’s DeKalb Day at the Capitol, Lorraine Cochran-Johnson addressed lawmakers, community leaders, and more than 500 students, outlining a focused legislative agenda while emphasizing collaboration across all 12 cities.
“We are showing up as one DeKalb,” Cochran-Johnson said, reinforcing a theme that echoed throughout the event.
A Unified County Approach
This year marked the largest DeKalb Day turnout in the county’s history, with elected officials, mayors, commissioners, and state legislators aligned around shared priorities.
From the House and Senate delegations to the Board of Commissioners, leaders emphasized a coordinated strategy entering the legislative session, one designed to strengthen DeKalb’s voice under the Gold Dome.
Carla Drenner highlighted the county’s diversity and strength, noting that DeKalb represents more than 100 nationalities and over 140 languages.
“It takes a village to govern,” Drenner said. “We stand with each other because we are DeKalb strong.”
Transportation, Housing, and Economic Growth
At the top of the county’s agenda: transportation.
Officials pointed to a new transit master plan aimed at improving connectivity and expanding access across the region. Cochran-Johnson emphasized that mobility is central to DeKalb’s future.
Housing affordability also emerged as a critical issue. The county is backing rental registry legislation led in part by Mary Margaret Oliver to track investor-owned properties and improve housing conditions.
Cochran-Johnson noted that more than 50% of residential property sales south of Memorial Drive since 2020 have gone to investors rather than individuals.
Public Safety and Environmental Concerns
Illegal tire dumping—an issue that continues to impact DeKalb neighborhoods—was also front and center.
County leaders called for stronger penalties and highlighted cleanup efforts, including the removal of more than 30,000 tires through a county initiative.
Education and Student Voices Take Center Stage
A defining feature of the day was the presence of more than 500 students from DeKalb County schools, many of whom participated directly in the program.
Norman Sauce III outlined priorities including school funding reform, workforce development, and expanded mental health services.
And then something small—but powerful—happened. As Taliah McPherson walked up to speak, talking about mental health and what students are really dealing with, the CEO didn’t step aside. She stayed. Right there. Holding the microphone steady so the student’s voice could carry across the room. No announcement. No attention drawn to it. Just a quiet act that said: your voice matters enough for me to support it. And in that moment, the whole idea of “leadership” shifted. It wasn’t about position. It was about presence.
The students didn’t waste that moment.
They talked about stress. About pressure. About systems that don’t always work when they need help the most.
One student said it clearly: if leaders care about students, prove it.
Fund the support. Remove the barriers. Act.
McPherson called for greater awareness and access to mental health support for students, emphasizing the need to remove stigma and expand resources.
“Mental health should be something we can talk about openly,” she said.
High school senior Gavin Brown reinforced the urgency, pointing to barriers that prevent students from receiving timely care.
“The time for discussion has passed,” Brown said. “Now is the time for action.”
A Call to Civic Engagement
Throughout the program, leaders emphasized civic participation—especially for young people.
Cochran-Johnson encouraged students to see themselves as future leaders, reminding them that leadership begins with preparation and presence.
Moving Forward as “One DeKalb”
Closing remarks reinforced a shared commitment to collaboration, with leaders pledging continued focus on infrastructure, economic development, and education.
“As elected officials, our greatest strength is in working together,” said Chakira Johnson.
“Our partnerships are strong,” Cochran-Johnson said. “And our future is strong.”
By Milton Kirby | Washington, D.C. | March 26, 2026
A new bipartisan effort in the U.S. Senate could reshape how Historically Black Colleges and Universities (HBCUs) access federal research funding, addressing long-standing barriers that have limited their participation in major grant programs.
Senators Raphael Warnock and Katie Britt have introduced the HBCU Research Capacity Act, legislation designed to simplify and centralize access to federal grant opportunities for HBCUs.
At the core of the proposal is the creation of a federally coordinated online clearinghouse a single platform where HBCUs can identify, track, and apply for research and development funding opportunities, particularly in STEM fields. The bill would also require the U.S. Department of Education to provide guidance, best practices, and ongoing updates to institutions nationwide.
Addressing Structural Gaps in Research Funding
For decades, federal research dollars have been concentrated among a relatively small group of institutions, leaving many HBCUs despite their academic output and cultural impact at a disadvantage.
“HBCUs are incubators of diverse excellence,” Warnock said, noting that the legislation is intended to “make securing federal dollars… that much easier.”
Britt echoed that sentiment, describing the bill as a “commonsense” solution grounded in firsthand experience with the challenges HBCUs face.
The issue is not new, but the approach is notable. Rather than creating new funding streams, the legislation focuses on access recognizing that many institutions struggle not with eligibility, but with navigating a fragmented and complex federal grant system.
HBCU Leaders Push for Change
To support the bill’s introduction, the senators convened more than 30 HBCU presidents in Washington for a roundtable discussion. Leaders from institutions including Fort Valley State University and Albany State University participated, emphasizing the need for a more transparent and coordinated funding process.
Their message was consistent: opportunity exists, but access remains uneven.
Dr. Harry L. Williams, president and CEO of the Thurgood Marshall College Fund, described the legislation as a “major step” toward expanding the nation’s research ecosystem by fully integrating HBCUs into it.
Similarly, the United Negro College Fund praised the bill while cautioning that broader reforms will still be needed to ensure equitable participation across all HBCUs including those that may never achieve top-tier research classifications but play a critical role in the academic pipeline.
A Broader Strategy for Research Equity
The proposed clearinghouse would be supported by dedicated personnel within the Department of Education and include regular reporting to Congress, along with updates to participating institutions.
The bill builds on earlier efforts led by Warnock, including legislation encouraging pathways for HBCUs to achieve “R1” status the highest classification for research activity in higher education. Notably, Howard University recently achieved that designation, signaling what advocates say is possible with sustained investment and support.
The legislation also aligns with broader federal initiatives, including funding streams established under the CHIPS and Science Act, which included provisions to support Minority Serving Institutions in accessing federal research dollars.
What Comes Next
If passed, the HBCU Research Capacity Act would amend Title III of the Higher Education Act of 1965, formalizing the federal government’s role in coordinating research opportunities for HBCUs.
For institutions that have historically done more with less, the bill represents a potential shift not just in funding, but in how opportunity is structured.
As policymakers and educators continue to debate the future of higher education, one question remains central: how to ensure that talent wherever it is found has a clear path to resources.
This legislation suggests one answer: make the system easier to see, and easier to access.
Howard Johnson, BPIR head judge, shapes Soul Country by listening for authenticity, guiding emerging artists, and preserving Black musical and Western cultural traditions.
The Judge Who Hears What Others Miss: Howard Johnson and the Soul of Soul Country Music Star
By Milton Kirby | Atlanta, GA | March 24, 2026
At the Bill Pickett Invitational Rodeo, where heritage and innovation ride side by side, Howard Johnson is more than a judge, he is a careful listener, weighing not just sound, but story, spirit, and the deeper truth behind each performance.
Photo courtesy of BPIR
To most rodeo fans, he is the steady presence behind the judges’ table. But Johnson’s story stretches far beyond the arena dirt.
Long before he was evaluating rising artists, Johnson was lending his voice to the soundtrack of Black cinema, performing three of the male singing voices in the iconic The Five Heartbeats.
“Three quarters of the building don’t know my other life besides being a cowboy,” he said with a laugh. “I’ve been blessed, truly.” Blessed and shaped by a lifetime of music, history, and a deep sense of responsibility to the next generation.
What Soul Country Really Means
When asked what he looks for in a Soul Country Music Star, Johnson’s answer is immediate.
“It’s right in the title – the soul and the country,” he said. “I don’t want anybody who sounds like Charley Pride or Vince Gill or Garth Brooks. I want someone who sounds like us.”
For Johnson, “us” is not a genre. It is a cultural fingerprint, an instinctive blend of gospel, blues, R&B, and lived Black experience.
He points to Ray Charles, Al Green, and the gospel quartets of his youth as proof that the line between soul and country has always been thin.
“Take an early Al Green song, remove the B3 organ, add a steel pedal, you’ve basically got country,” he said. “We’ve always been there.”
Hearing What Others Miss
Johnson doesn’t just judge talent; he listens for what others overlook.
Two artists, now winners of consecutive seasons, stand as proof of that instinct: Kirk Jay and Nathaniel Dansby.
Kirk Jay, the Season One (2024) winner, impressed Johnson with his writing and presence. “He’s an incredible writer,” Johnson said. “He had the playing, the soul, and that youthful enthusiasm.”
Nathaniel Dansby, who would go on to win Season Two (2025), took a very different path.
In his first audition, other judges scored him low. Johnson was stunned.
“I asked them, ‘What are you listening for?’ Because I heard something special,” he said. “I had him in the 90s. Others had him under 50.”
Dansby nearly walked away from music after that moment.
When he returned the following year — frustrated but determined — Johnson pulled him aside.
“Don’t quit,” he told him. “Come back.”
He did — and delivered a performance that ultimately led to his Season Two victory.
“Your encouragement is what brought me back,” Dansby later told him.
Moments like that define Johnson’s approach.
“You’re dealing with people in the infancy of their talent,” he said. “Who am I to tear that down?”
He is not just judging talent; he is helping it find its footing.
A Childhood That Shaped a Judge
Johnson’s reluctance to crush a dream comes from a painful memory.
At nine years old, singing in a Miami church, he was told he was “too Black.”
He cried the entire ride home. His father, enraged, attempted to turn the car around with a gun in hand. His mother stopped him.
“That moment never left me,” Johnson said. “It shaped how I treat people who are just starting.”
It is why he refuses to judge with cruelty. It is why he listens for possibility, not perfection.
Photo courtesy of BPIR – Howard Johnson
From Mailman Dreams to a No. 1 Hit
Johnson’s own career began by accident.
At 19, he had taken the civil service exam and planned to become a mailman. Singing was something he expected to do only in church.
But a dare from a friend changed everything.
In a Miami park, he hit a high note from Earth, Wind & Fire’s “Mighty Mighty” that he didn’t know he had.
Two weeks later, he was discovered. Six months later, he had a No. 1 pop hit – So Fine.
“I wasn’t supposed to be singing secular music,” he said. “But that moment changed my life.”
The Blueprint and the Power of the Audience
Johnson believes the music industry’s secrets are not secrets at all.
“The easiest thing to write is a hit song,” he said. “There are thousands of hit records before you. Look at the blueprint.”
Marketing, distribution, radio, and visibility the formulas already exist. But in Johnson’s view, the real power has always rested with the audience. “The people pick the hits,” he said.
For artists coming through Soul Country Music Star, that truth matters. It means success is not reserved for those with industry access alone, but for those who can connect.
The BPIR as Cultural Restoration
Johnson sees the Bill Pickett Invitational Rodeo as more than entertainment. It is a living archive of Black Western history.
He speaks of the origins of the word “cowboy,” born from white ranchers refusing to call Black cattle hands “men.” He speaks of language, history, and identity and how those stories shape the present.
“There are a lot of knowledgeable people around this rodeo,” he said. “It’s a family.”
Through the BPIR, Johnson found not just a platform, but a deeper connection to a history that continues to unfold.
AI, Creativity, and What Machines Can’t Touch
Johnson is clear-eyed about artificial intelligence. He uses it for business planning, but not for music.
“There’s an emotional element AI will always miss,” he said. “Some of the AI music is incredible, but the human part is missing.” He believes that for artists grounded in truth, songwriting will endure.
A Call for Investment in Black Institutions
Johnson’s critique of corporate America is direct.
Black consumers are among the top spenders in major industries, yet those same companies rarely invest in Black communities or cultural institutions.
“Have you ever seen a Nike center in a Black community?” he asked. “Why hasn’t someone said, ‘Let’s invest in something like the Bill Pickett Foundation?’”
He points to the rodeo’s community work; hospital visits, youth programs, and cultural education as deserving of broader support.
No More Single Leaders, Only Collective Power
When asked whether Black America needs another singular leader, Johnson shook his head. “No, we don’t,” he said. “We need us.” He warns against movements built around one figure, pointing to history as a reminder of how fragile that model can be. But collective movement, he believes, is different. When people move together, the impact is lasting.
A Legacy That Cannot Be Contained
Johnson’s pride in Black innovation is boundless.
He speaks of breakthroughs in sports, science, and culture contributions often overlooked, yet foundational.
“They have a reason to be afraid,” he said. “Anything we touch sports, science, whatever, they have to change the rules.”
From Tiger Woods to Stephen Curry, he sees a pattern: excellence that reshapes the landscape.
The Conversation Ends, but the Work Continues
As the interview concluded, Johnson apologized for talking so much.
But his words were not digressions, they were direction.
“It shows what the umbrella could be,” he said. “What I bring to it. How I make the selections I make.” In his voice in his history, his convictions, and his belief in Black artistry lies the heartbeat of Soul Country Music Star itself.
Country Roots, Diverse Beats: Celebrating the Rich Tapestry of Soul in Country Music.
Agricenter International Showplace Theater – 7777 Walnut Grove Rd, Memphis, TN
Bill Pickett Invitational Rodeo
Music Competition – Friday, April 10, 2026 | 7:00 pm 8:00 pm Competition
BPIR Rodeo – Saturday, April 11, 2026 | 1:30 pm or 7:30 pm
Upcoming in the TSJ series – Inside the Bill Pickett Invitational Rodeo
— Kirk Jay: The Sound of Country Soul at the Rodeo — Nathaniel Dansby (Mr. Bowleggs) : The Sound of Country Soul at the Rodeo — Rodeo for Kids’ Sake and the Next Generation
