MARTA adds extra service for Beyoncé’s Cowboy Carter Tour in Atlanta. Ride safely and skip traffic with direct access to Mercedes-Benz Stadium via rail.
By Milton Kirby | Atlanta, GA | July 10, 2025
Beyoncé is back in Atlanta—and MARTA is ready to take fans there in style.
With four sold-out shows scheduled at Mercedes-Benz Stadium—Thursday, July 10; Friday, July 11; Sunday, July 13; and Monday, July 14—MARTA is expanding service and increasing support staff to help manage the Beyoncé buzz across the city.
The Metropolitan Atlanta Rapid Transit Authority has announced additional train service before and after each concert, including dedicated shuttle trains running between Five Points and GWCC Stations. MARTA officials say it’s the safest, most convenient way for fans to travel downtown and avoid post-concert gridlock.
Transit Ambassadors will be stationed throughout the system to assist riders, while “Load and Go” teams will help manage large crowds as they board and exit trains. MARTA Police will also be deployed systemwide to ensure a safe and secure ride for everyone.
How to Ride to the Queen:
Take the train to GWCC or Vine City Stations for direct access to Mercedes-Benz Stadium.
Use MARTA’s trip planner to check real-time bus and rail schedules and cancellations.
Download the MARTA On the Go app or follow @MARTAservice on X (formerly Twitter) for real-time updates.
Buy your fare instantly with Breeze Mobile 2.0 to skip long lines.
Use See & Say 2.0 to report any suspicious activity.
Check rail station parking availability before heading out.
SMART public restrooms are available daily from 6 a.m. to 10 p.m. at six major stations, including GWCC.
Construction Advisory: Access to Five Points Station is limited to Peachtree and Forsyth Streets due to ongoing renovations. Restrooms and customer service booths at that station are temporarily closed.
For more information, visit itsmarta.com, call 404-848-5000, or stay connected via @MARTAservice and @MARTAtransit on social media. Fans are encouraged to tag their photos with #LetMARTADrive as they head to the Cowboy Carter Tour.
With MARTA at the wheel, all that’s left to do is put on your silver and boots—because Beyoncé is ready to make Atlanta shine.
Atlanta’s BronzeLens Film Festival returns August 20–24, 2025, showcasing nearly 100 films from 60 countries and honoring groundbreaking storytellers of color in cinema.
By Milton Kirby | Atlanta, GA | July 10, 2025
Atlanta will shine in the global film spotlight once again this August as the 16th Annual BronzeLens Film Festival (BLFF) returns with nearly 100 films from 60 countries, spotlighting stories created by or about people of color. Running from August 20–24, 2025, the festival promises a vibrant blend of screenings, masterclasses, and celebrations, solidifying its reputation as a premier destination for diverse storytelling in cinema.
On Wednesday, July 9, the BronzeLens Film Festival announced its Official Selections for 2025. The lineup features a diverse mix of short narratives, features, documentaries, dance films, student projects, web series, and music videos. These works come from creators across the globe—including Angola, Australia, Botswana, France, Mexico, South Africa, the United States, and more—underscoring the festival’s growing international reach.
Founded in 2009 as a nonprofit organization, BronzeLens was born from a bold vision: to promote Atlanta as a global film mecca for people of color, while creating opportunities for aspiring filmmakers to learn, connect, and grow. The concept was originated by William Pate, President of the Atlanta Convention and Visitors Bureau (ACVB), with Kathleen Bertrand, then ACVB Senior Vice President, tasked with bringing the idea to life. Bertrand conducted a feasibility study, identified a gap in the market, and in 2010 launched the inaugural festival—screening 24 films across four days, supported by panels with industry giants like Will Packer, Rob Hardy, Roger Bobb, and Tirrell Whittley.
That debut also included the first feature film from Ava DuVernay, “I Will Follow,” and soon after, BronzeLens became a founding member of the African-American Film Festival Releasing Movement (AFFRM), now known as ARRAY. This strategic alliance propelled BLFF onto the national stage and cemented its role as a launchpad for visionary Black creatives.
Today, BronzeLens is more than just a festival—it’s a movement. Under the leadership of Executive Producer Kathleen Bertrand and Artistic Director Deidre McDonald, BLFF now operates year-round. Its programming includes the Page to Screen Book Club, children’s initiatives, industry workshops, and an upcoming Facebook Live series spotlighting screenwriters, funded by the City of Atlanta’s Power2Give program.
A major milestone came in 2016 when BronzeLens became an Academy Award® Qualifying Festival in the Short Film category. This means winners of Best Short at BLFF are eligible for Oscar consideration without the typical theatrical release. In 2018, BLFF’s winning short “Wale” made it to the Oscars shortlist—a testament to the festival’s growing influence. The 2024 winner, The Rebel Girls, directed by Felicia D. Henderson, took home Best Short, Best of Festival, and earned Nika King a Best Actress award.
Born For This Mission (Walk Through The Fire) FREEDOM
PATIENCE Rage
Documentary
American Beauty
Bam Bam: The Sister Nancy Story
Beyond The Headlines: The NABJ Journey
Come Together: Art’s Power for Change
Facing the Wind
Following Harry
Guardians of the Flame
Love, Joy & Power: Tools For Liberation
Me Period
Mount Mutombo
Rap Dixon: Beyond Baseball
We Were Here – The Untold Story of Black Africans in Renaissance Europe
When We Free The World
Short Documentary
Beads, Braids & Barrettes
Bloodlines, Mississippi
Even Me 2.0
Exodus
Grounded: Creating Space for Black Peace
Her Fight, His Name: The Story of Gwen Carr and Eric Garner
Hoops, Hopes & Dreams
Howardena Pindell: Inner Circle
Keur Simbara
Say Yes To Destiny
She is Us: The Story of Judge Songhai Armstead
They Call Me Sue
Welcome Home
With Grace
Features
A Kismet Holiday
A Mess of Memories
Can You Stand The Rain
Color Book
Ratchet
Secrets, Scores, and Seduction
The Rhythm & The Blues
International Features
NAWIThe Fisherman
Student Films
Anything Helps THE ENCROACHER
Curtain Call The Interviewee
Desync Washed
Intsikelelo Yamnzi Weekend One
Jean & I
Web Series
Hogtown / Ainsi Va Manu Welcome to the Forties
Short Films
?Enought!
A Beauty Supply In Queens
ADO
An Extraordinary Life
B Is For Bachata
Before You Let Go
Black Ballerina You Should Be a Model
Blackberry Winter
Chronology
Complicated Grief
COURAGE
Don’t Be Late, Myra
Don’t Hang Up
Father Time
Flick
Hard
I Wish I Were Pretty
Issa Date
JULES
LAUNDRY
Love Is Blind: Short Film
Missing Rhythms
Moonluck Wonton
Nothin’ Good & 12th Street
Old Gray Mare
Once Upon A Dime
Project Foster
Red Clay
Ree’s Destiny
Run Like We
SOAR
The Cut
The Golden Boy
The Last Dance
The Off-Brands
The Ohio, Texas Remix
The Performance
The Untying
The Lyricist
Thomasville
Time Is Money
UNCAGED
Unexpected Ties
Waiting
Where The Children Go To Play
While You Were Sleeping
Wi Cyah Stay
Winter PsalmYasodhora
This year’s screenings will take place at the historic Tara Theatre, while the grand awards ceremony will be held at the Ray Charles Performing Arts Center on the campus of Morehouse College. The Thompson Buckhead Hotel returns as the official festival hotel.
Beyond the films, BronzeLens is known for its powerhouse panels and workshops. These sessions offer attendees actionable insights and invaluable industry access.
The highlight of Superstars Weekend is the BronzeLens Women Superstars Honors, held at Georgia State University’s Rialto Center for the Arts. This signature event celebrates Black women who have transformed film and television—whether in front of or behind the camera. Honorees are chosen for their groundbreaking storytelling, cultural impact, and commitment to mentoring the next generation. It’s not only a night of glitz and recognition, but a space where trailblazers and emerging voices build lasting connections.
“We are constantly in awe of the breadth and beauty of stories we receive from around the world,” said McDonald. “BronzeLens is about celebrating the art of filmmaking while building the networks that ensure these stories get told.”
With submissions pouring in from places as far as Botswana, France, Jordan, and Panama, BronzeLens has built a global platform with local roots. Its commitment to education, representation, and innovation continues to position Atlanta as a thriving nexus for diverse storytelling in film.
Atlanta pauses construction for July 4 travel, while fast-tracking downtown upgrades ahead of FIFA World Cup 2026 to improve roads, sidewalks, and connectivity.
By Milton Kirby | Atlanta, GA | July 2, 2025
In preparation for holiday travel and the arrival of global visitors next summer, the Atlanta Department of Transportation (ATLDOT) has announced a temporary halt on several construction projects, effective Thursday afternoon. The pause, aimed at easing traffic congestion for Independence Day, will last from noon on Thursday, July 3, through 9 a.m. on Monday, July 7.
ATLDOT Commissioner Solomon Caviness said the move is part of a broader plan to keep residents safe and mobile over the busy holiday weekend while maintaining momentum on critical infrastructure upgrades.
ATL DOT Commissioner – Solomon Caviness, IV
“We want to make sure that our improvements are in line with equity, safety, and mobility,” Caviness said. “And support our Vision Zero initiative to bring fatalities and serious injuries through crashes down to zero by the year 2040.”
The city formed the Atlanta Department of Transportation in 2019 to serve as the central agency for all transportation-related issues. The department acts as a one-stop shop for citizens and outside partners. It was built with dedicated staff pulled from Public Works, City Planning, and Renew Atlanta. ATLDOT is fully equipped to plan, design, build, and maintain the city’s mobility network under the One Atlanta Strategic Transportation Plan.
$120 Million Push to Improve Downtown
The construction moratorium is just a brief pause in a significant, $120 million infrastructure campaign, approved in October 2024, that specifically targets Downtown Atlanta ahead of the 2026 FIFA World Cup.. With an estimated 300,000 visitors expected for eight matches, the city is working diligently to complete a variety of upgrades.
Ongoing efforts include:
20 miles of street resurfacing
11 miles of sidewalk repairs
200 crosswalk restripings
150 new streetlights
80 wheelchair ramps
New signage and wayfinding systems
Many of these projects fall under the city’s Vision Zero Action Plan, a national initiative aimed at eliminating traffic fatalities. Atlanta saw 100 traffic fatalities in 2021; since then, deaths have dropped by 23%, a significant achievement in our ongoing efforts to improve road safety.
“Ahead of next summer, we want to make sure that we have the most presentable downtown and the safest downtown possible,” Caviness emphasized.
MLK & Ted Turner Viaduct to Reopen
Among the marquee projects nearing completion is the MLK and Ted Turner Viaduct Reconnection Project, a long-awaited effort to restore a key passageway linking Atlanta’s government district with the city’s entertainment core.
Initially built in 1922, the viaduct had been closed for years due to major infrastructure failures. Phase one of the restoration was completed in 2022. Phase two began in late 2024. According to Caviness, the final portion of the bridge is expected to reopen to traffic in mid-July.
“It’s an important connector from our Downtown government district over to the entertainment and sports complex,” he said, referring to the area that includes Mercedes-Benz Stadium and State Farm Arena.
Once reopened, the viaduct is expected to improve traffic flow and lay the groundwork for the Centennial Yards development, a sweeping overhaul project meant to reimagine Atlanta’s downtown core.
Atlanta Construction Project
Momentum to Resume Monday
While the moratorium temporarily halts active work zones, Caviness says the department is ready to resume progress first thing Monday morning.
“On Monday, we will continue the work on our resurfacing in the downtown district, which includes over 25 centerline miles of roadway,” Caviness said. “We’re also bringing more than 11 miles of sidewalk improvements to the downtown area.”
The construction freeze serves not only to reduce holiday congestion but also signals the city’s seriousness in addressing both public safety and international visibility ahead of FIFA 2026.
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MARTA offers safe, early rail and shuttle service for the 56th AJC Peachtree Road Race. Let MARTA drive you to Atlanta’s biggest running event.
By Milton Kirby | Atlanta, GA | July 2, 2025
As Atlanta gears up for the 56th running of the AJC Peachtree Road Race, the Metropolitan Atlanta Rapid Transit Authority (MARTA) is once again stepping up to deliver fast, reliable, and safe transportation for tens of thousands of participants and spectators.
MARTA encourages everyone heading to the Peachtree Health & Fitness Expo and the July 4 race to leave their cars at home and enjoy the stress-free convenience of public transit handling the traffic.
Expo Hours and Access
The Peachtree Health & Fitness Expo, presented by Publix, kicks off at Lenox Square on Wednesday, July 2, and continues through Thursday, July 3. Located in the Macy’s parking lot, the Expo is where runners will pick up race bibs and gear and enjoy health and wellness vendors.
Expo Schedule:
Wednesday, July 2: 9 a.m. – 6 p.m. (Atlanta Track Club members get early access from 9–10 a.m.)
Thursday, July 3: 7:30 a.m. – 6 p.m. (Peachtree Jr. participants: 7:30–9 a.m.; Atlanta Track Club members: 9–10 a.m.)
Attendees are advised to take MARTA’s Gold Line to Lenox Station, which puts them just steps away from the Expo entrance.
Race Day Transit Details
On Friday, July 4, more than 60,000 runners will fill the streets of Atlanta in the world’s largest 10K. The wheelchair division starts at 6:12 a.m., with the main field beginning at 6:50 a.m..
To accommodate early arrivals, MARTA rail service will begin at 4 a.m. on race day. Riders are urged to use the Gold Line, which provides convenient access to the starting area near Lenox Square.
Post-race travel will be fully supported by bus shuttles running from Piedmont Park and Midtown Station to Lindbergh Center Station, with the last shuttle departing at noon, ensuring a smooth journey home.
From 5 a.m. to 8:30 a.m., pre-race shuttles will connect Lindbergh Center Station to the start line.
The Atlanta Streetcar will operate extended hours, from 8:15 a.m. to 11:30 p.m., helping participants and fans navigate downtown.
Because many bus routes will be detoured for the event, MARTA urges riders to check updated routes and service changes at www.itsmarta.com.
Photo by Milton Kirby MARTA Streetcar
Helpful Tips for Riders
Download the MARTA On the Go App for real-time updates and alerts.
Use Breeze Mobile 2.0 to purchase fare on your phone and avoid lines at vending machines.
Look for MARTA Transit Ambassadors, who will be stationed throughout the system to help guide race-goers.
Join the celebration on social media by tagging @martatransit and using #LetMARTADrive in your race-day photos.
Whether you’re running, volunteering, or cheering from the sidelines, MARTA is committed to making your Peachtree Road Race experience smooth and stress-free, because we value and appreciate your participation.
Lena Horne broke barriers in Hollywood and civil rights, becoming a trailblazing icon whose courage, music, and legacy continue to inspire generations of Black artists and activists.
By Milton Kirby | Atlanta, GA | June 30, 2025
On what would have been her 108th birthday, the world pauses to honor Lena Horne—a legendary singer, actress, civil rights activist, and one of the most influential Black women in American history. Horne’s career, which spanned over seven decades, was defined not only by her talent and glamour but by her fierce determination to fight against racial injustice and challenge the limits placed on her by society and Hollywood.
Born Lena Mary Calhoun Horne on June 30, 1917, in Brooklyn, New York, she emerged from a lineage of educated and civically engaged African Americans. Her grandmother, an early suffragist and activist, shaped Lena’s worldview. Despite a nomadic and, at times, lonely childhood spent following her mother’s theatrical career across the country, Horne carried the strength of her heritage with her. She left high school at 16 to perform at Harlem’s famed Cotton Club, launching a path that would eventually lead her to become the first Black performer signed to a long-term contract with a major Hollywood studio—Metro-Goldwyn-Mayer (MGM).
While at MGM, Horne appeared in more than 16 films between 1938 and 1978. Yet, due to racism, her roles were often stand-alone musical numbers that could be cut out when films were shown in segregated theaters. She was systematically denied leading roles, and in a cruel twist, even lost the part of Julie LaVerne in the 1951 film “Show Boat” to Ava Gardner, despite previously singing the part in another movie. The role was denied to her because of a ban on interracial relationships onscreen.
Horne never allowed these exclusions to define her. She sued restaurants and theaters for racial discrimination in the late 1940s and joined forces with civil rights leaders like Paul Robeson and Eleanor Roosevelt. Her activism led to blacklisting during the McCarthy era, but Horne never backed down. When the U.S. Army allowed German POWs to sit in front of Black soldiers at a World War II USO performance, she walked off stage and personally financed her own tour to entertain Black troops.
“My identity is very clear to me now. I am a Black woman. I’m free. I don’t have to be a symbol to anybody,” she once said. This powerful statement reflects Lena Horne’s journey of self-definition and pride. Her words continue to inspire others to embrace their own identities with confidence and self-awareness.
Lena Horne
In the 1960s, Horne was a prominent figure in the civil rights movement. She marched in Washington, performed at rallies in the Jim Crow South, and lent her voice and fame to the National Council of Negro Women and the NAACP. Her commitment to the cause was unwavering. When Medgar Evers was assassinated, she had just appeared with him at a rally in Mississippi, a testament to her dedication to the fight for equality.
Her resilience eventually led to triumphs. Horne reinvented herself in the 1980s, dazzling Broadway in the Tony Award-winning one-woman show, Lena Horne: The Lady and Her Music. The show ran for 333 performances and earned her a special Tony Award, as well as two Grammys. It remains the longest-running solo show in Broadway history.
Despite battling multiple sclerosis, a fact she never publicly discussed, Horne lived to be 92. She died in 2010 of heart failure in New York City. Her funeral brought out luminaries like Dionne Warwick, Cicely Tyson, Audra McDonald, and Vanessa Williams—a who’s who of Black excellence shaped in her wake.
Despite the challenges she faced in her career, Horne’s personal life was also marked by resilience and strength. She was a mother and grandmother, and her family was a source of joy and support for her. She had two children, Gail and Edwin, and was later married to white bandleader Lennie Hayton. Their interracial marriage was initially kept secret due to public scrutiny, yet the relationship helped her navigate a treacherous industry with grace and strength.
Lena Horne
Lena Horne’s legacy lives on through her granddaughter Jenny Lumet, a screenwriter who continues to carry on her grandmother’s work. Her name is immortalized in stamps, awards, and most fittingly, the Broadway theater that now bears her name—the Lena Horne Theatre. As the first Black woman to receive this honor, Lena Horne’s enduring impact is a testament to the power of her life and work.
From stormy beginnings to a triumphant, unyielding voice, Lena Horne carved her name into history with elegance and courage. She was not only a fierce activist but also a jazz singer, a movie star, and a patriot. Her performances, both on screen and on stage, were marked by her undeniable talent and grace. Above all, she was a symbol of pride and perseverance, leaving an indelible mark on the arts and civil rights.
Today, on Lena Horne Day, her story continues to inspire artists, activists, and dreamers worldwide. Her legacy, like her music, will never fade.
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Elvis Presley Birthplace Museum in Tupelo honors the King’s humble roots, rich musical heritage, and the fans who keep his legacy alive.
By Milton Kirby | Tupelo, MS | June 12, 2025
In a modest two-room shotgun house built in 1934 by Vernon Presley with just $180, the King of Rock’ n Roll, Elvis Aaron Presley, was born on January 8, 1935, in East Tupelo. Nearly a century later, the Elvis Presley Birthplace Museum stands as a globally recognized tribute to the musical legend who never forgot his roots preserving his legacy for generations to come.
From Poverty to Legacy
Life was difficult for the Presley family. Vernon and Gladys Presley, Elvis’s parents, struggled to make ends meet and eventually lost their home due to nonpayment of the loan. The family relocated several times around Tupelo before moving to Memphis when Elvis was 13.
Yet it was in Tupelo that Elvis’s musical identity began to take shape. He attended the Assembly of God Church, where he was first exposed to Southern gospel. He also lived near the Shake Rag community home to blues musicians and Black gospel music that influenced his unique musical style. It was in the Country radio programs added to the fusion of sound that would one day revolutionize the music world.
Honoring the Boy Who Dreamed Big
Today, visitors to the Elvis Presley Birthplace, Museum, Chapel, and Park can walk the same paths Elvis once roamed. The 15-acre campus welcomes over 100,000 visitors annually, offering an immersive experience anchored by Elvis’s childhood home, the relocated church where he worshipped, and stunning life-size statues that symbolize his journey.
One of the museum’s most beloved landmarks is the bronze statue of 13-year-old Elvis, sculpted at the suggestion of Irish fans Maurice and Maureen Colgan. The statue, crafted from historical photos, portrays Elvis in oversized overalls and plain shoes, representing the modesty of his upbringing. Positioned between the church and museum, the statue’s placement reflects Elvis’s deep spiritual roots and the material world he would later enter as a superstar.
Nearby, atop the Tupelo Overlook, a powerful art installation known as “BECOMING” features two Elvis statues—”Elvis the Boy” and “Elvis the Entertainer”—each facing west toward Tupelo. The path leading to them zigzags, a visual metaphor for the winding, complex journey Elvis walked on his way to icon status.
A Tribute Model: David Lee
The 1970s-era Elvis statue unveiled in 2015 carries a special connection to David Lee, a world-renowned Elvis tribute artist from Birmingham, Alabama. Lee served as the model for the sculpture and played a key role in securing $1 million in government funding to expand the museum.
A two-time world champion and the 2015 Ultimate Elvis titleholder from Elvis Presley Enterprises, Lee has performed across the U.S., Canada, Mexico, and international waters. His authentic performances and gospel roots have made him a favorite among fans and festival-goers alike. His contributions to Tupelo’s Elvis legacy include receiving the Key to the City, having his name engraved at the base of the statue in Fair Park, and being the first performer at the museum’s 120-seat auditorium in 2013.
“Elvis is gone and irreplaceable,” Lee said, “but my tribute hopes to do him justice.”
Living History on Display
The Assembly of God Church—where a young Elvis learned to play his first chords—has been preserved and moved to the Birthplace grounds. Visitors can experience a 1940s-style Pentecostal service through multimedia displays that include singing, preaching, and praise-filled worship. It was here, under the guidance of Brother Frank Smith, that Elvis learned to play “Ole Shep” with just three chords: D, A, and E.
Photo by Milton Kirby – Elvis Presley’s Childhood Church
The Elvis Presley Center, under the leadership of Executive Director Roy Turner and Associate Director Rhonda Lamb, continues to expand. The $6.5 million complex includes the birthplace home, museum, chapel, theater, event center, and scenic trails where visitors can reflect on the King’s journey.
A City’s Pride
Tupelo embraces Elvis’s legacy at every turn. From decorative guitars on street corners to murals and events, the City celebrates its native son with pride and purpose. Mr. Henry Dodge, retired chair of the board of directors, described the winding path from the museum to the statue as symbolic of Elvis’s climb from poverty to global fame.
“Elvis dreamed a dream from this very soil,” said one local visitor. “Now the world walks where he once walked.”
A Lasting Connection
For fans of Elvis Presley, the museum is more than a tourist attraction—it’s a pilgrimage site. It’s a place to experience the humble beginnings of a boy who went on to become a world icon. A place to honor music’s power to transcend barriers. And a place to celebrate a legacy rooted deeply in Mississippi soil.
Southwest Airlines ends free checked bags, now charging $35 for the first and $45 for the second—a major shift impacting budget travelers and loyalty perks.
By Milton Kirby | Atlanta, GA | June 3, 2025
Southwest Airlines is no longer letting two bags fly free.
As of May 28, the popular budget carrier has officially ended one of its most beloved customer perks. For decades, the airline’s “bags fly free” policy was a hallmark of its friendly, no-frills service. Now, that tradition has come to an end—bringing new costs and questions for travelers.
From Beloved Benefit to Baggage Fees
Southwest’s policy change comes as part of a broader set of reforms aimed at boosting profits and attracting new customer segments. Under the new rules, most passengers will now pay $35 for their first checked bag and $45 for the second. For a round-trip flight, that’s an extra $160 for those carrying two bags.
This hits particularly hard for vacationers—especially skiers. In the past, a ski bag and boot bag counted as one item. Now, travelers must pay for each checked item separately unless they qualify for a waiver through their loyalty status or fare class.
New Fare Structure, More Fees
Southwest has also introduced a new “Basic” fare, mimicking competitors. This lower-cost tier removes flexibility—no refunds, no changes. Passengers seeking flexibility must upgrade to the “Wanna Get Away Plus” fare, which adds $35 each way. A traveler who wants flexibility and two checked bags now faces up to $230 in added costs for a round-trip flight.
The airline defends the changes as part of a strategy to offer more choices. “We will do all this while remaining focused on what’s made us strong—our People and our authentic, friendly service,” said CEO Bob Jordan in a March press release.
Who Still Gets Bags for Free?
Not everyone will be charged for bags. A-List Preferred members and Business Select fare holders continue to receive two free checked bags. A-list members get one. Rapid Rewards credit cardholders can check one bag free of charge.
The Department of Transportation reported that in 2024, Southwest earned $83 million in baggage fees from customers with three or more bags—even without charging for the first two. With this change, fee revenue is expected to rise significantly.
Loyalty Program and Perks Also Shift
Southwest’s Rapid Rewards program is also evolving. The airline has started offering more points for higher fare classes and fewer points for lower tiers, such as Wanna Get Away. Points redemption will now vary depending on demand.
Other new features include:
Assigned seating (a first for Southwest)
Premium legroom options
A growing list of international partnerships, including Icelandair and China Airlines
A rollout of in-seat power, faster Wi-Fi, and new cabin interiors on the Boeing 737 MAX 8 fleet
A History of LUV
Founded in 1966, Southwest made its name flying between Dallas, San Antonio, and Houston. It offered no assigned seats, free checked bags, and famously lighthearted service. “LUV” became the airline’s stock symbol—and unofficial brand.
The change marks a major evolution from the company’s roots. While the airline says it’s “honored to have you join us on this transformational journey,” many longtime fans feel left behind.
“I remember the Love Machines and friendly flight crews,” said another frequent flyer. “Now it just feels like every other airline.”
Southwest says it remains focused on operational excellence. In 2025, it leads U.S. airlines in on-time performance and has avoided most cancellations.
Still, for everyday travelers used to packing without penalty, the new baggage fee era may take some getting used to.
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MARTA offers world-class transit service for the 2025 FIFA Club World Cup in Atlanta. Let MARTA drive you to matches, events, and fan celebrations.
By Milton Kirby | Atlanta, GA | June 2, 2025
Soccer fans from around the globe will soon descend on Atlanta for the 2025 FIFA Club World Cup. MARTA is ready to deliver them to the action.
The Metropolitan Atlanta Rapid Transit Authority (MARTA) is preparing to move thousands to and from matches at Mercedes-Benz Stadium and fan events citywide. With decades of experience managing large crowds, MARTA promises smooth rides and increased service for the international tournament.
“MARTA is one of the only transit systems in the world with a train station inside the airport,” said MARTA General Manager and CEO Collie Greenwood. “Fans can go straight from the plane to the train, to their hotel, and then to the stadium—no rental car needed.”
MARTA has served Atlanta well during major events in the past. From three Super Bowls and NCAA Final Fours to weekly Falcons, Hawks, and Atlanta United games, MARTA is the city’s go-to transit system for sports fans.
For the six Club World Cup games this summer, MARTA will increase train service before and after each match. A special pre-game shuttle will run between Five Points and GWCC Stations for faster stadium access.
MARTA will also deploy Transit Ambassadors to assist riders, load-and-go teams on platforms to guide boarding, and additional MARTA Police to ensure safety.
MATCH SCHEDULE AT MERCEDES-BENZ STADIUM:
Monday, June 16, 3 p.m.: Chelsea FC (England) vs. LAFC (USA)
Thursday, June 19, 3 p.m.: Inter Miami CF (USA) vs. FC Porto (Portugal)
Sunday, June 22, 9 p.m.: Manchester City (England) vs. Al Ain FC (UAE)
Sunday, June 29, 12 p.m.: Round of 16 Match
Tuesday, July 1, 9 p.m.: Round of 16 Match
Saturday, July 5, 12 p.m.: Quarterfinal Match
Even with the Five Points Station undergoing renovations, MARTA confirms that rail service will not be disrupted. All train lines and transfers will run on schedule, and street-level access is available via Forsyth Street.
Looking ahead, MARTA is also preparing for Atlanta’s role in the 2026 FIFA World Cup. The city will host eight matches, and MARTA is collaborating with FIFA, the Atlanta Sports Council, and other cities to plan safe and efficient transit operations.
MARTA is also rolling out upgrades. The better Breeze fare system will allow customers to tap their credit cards or phones to pay—no ticket needed.
And World Cup fun won’t be limited to the stadium. In Decatur, fans can enjoy WatchFest26, a month-long celebration above Decatur Station. MARTA will be the easiest way to get there and to other fan zones around metro Atlanta.
LET MARTA DRIVE YOU TO THE GAMES:
Use GWCC or Vine City Stations for Mercedes-Benz Stadium access
Centennial Yards selects Live Nation to operate a new 5,300-seat music venue, anchoring Downtown Atlanta’s $5B entertainment district near State Farm Arena and the Mercedes-Benz Stadium
Live Music Powerhouse to Anchor $5 Billion Sports and Entertainment District
By Milton Kirby | Atlanta, GA | May 15, 2025
Centennial Yards Company has officially selected Live Nation to operate a 5,300-seat state-of-the-art music and entertainment venue at the heart of its sprawling Downtown Atlanta development. The long-term lease deal, announced on Wednesday, marks a significant milestone for the $5 billion, 50-acre project, which aims to transform underutilized rail yards into a vibrant hub of culture, sports, and commerce.
The new venue, adjacent to State Farm Arena and Mercedes-Benz Stadium, will serve as a cornerstone of the emerging Centennial Yards entertainment district. It joins a roster of high-profile projects already underway or planned for the area, including the immersive experience space Cosm, Hotel Phoenix, and The Mitchell apartment tower.
“Centennial Yards is poised to be the epicenter of sports and entertainment for the Southeast,” said Brian McGowan, President of Centennial Yards Company. “This partnership with Live Nation brings us one step closer to creating a thriving hub where unforgettable experiences happen.”
With Live Nation at the helm, the venue is set to host a wide array of performances—from global touring acts to local up-and-comers—adding depth to Atlanta’s already rich music scene. The facility promises premium sound, fan-first design, and elevated food and drink options.
The venue is expected to fill a strategic gap between larger stadiums, such as Mercedes-Benz, and mid-sized halls, like the Tabernacle and Buckhead Theatre. According to Jordan Zachary, President of Global Venues at Live Nation, the partnership will bolster Atlanta’s stature as a cultural and economic heavyweight.
“Atlanta has long been a cornerstone of American music and live entertainment,” said Zachary. “We’re proud to help write its next chapter downtown with this new venue at Centennial Yards.”
The announcement drew praise from key stakeholders, including Tony Ressler, principal owner of the Atlanta Hawks and a lead partner in the Centennial Yards development.
“As owners rooted in Atlanta, we are committed to shaping a Downtown that is dynamic, inclusive, and vibrant,” said Ressler. “Live Nation’s presence helps us fulfill that promise.”
CIM Group, the development firm behind several transformational urban projects across the U.S., is the primary partner alongside Ressler’s group. “This venue brings people together through transformative experiences,” said Shaul Kuba, CIM Co-Founder and Principal.
Upon completion, Centennial Yards will feature 8 million square feet of new space, comprising residential, hotel, office, retail, and entertainment uses. Centennial Yards South—home to student-friendly Lofts at Centennial Yards and Wild Leap Brewery — has already opened. Community-driven activations, such as food trucks, live music, and tailgating parties, are already drawing crowds to the site.
The Live Nation venue is expected to open in 2027, becoming a pivotal part of the district’s 24/7 live-work-play experience. The project is also supported by strong transit connections, with multiple MARTA stations nearby and access to the Atlanta Beltline.
In a city known for producing music legends and iconic performances, this partnership aims to expand Atlanta’s live entertainment legacy well into the future.
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The 2025 New Orleans Jazz & Heritage Festival blended hot music, rich traditions, and global flavors across a sunlit, unforgettable first weekend.
By Milton Kirby | New Orleans, LA | April 28, 2025
The 2025 New Orleans Jazz & Heritage Festival opened on Thursday, April 24. Excitement filled the air as crowds poured into the Fair Grounds. The sounds of jazz, soul, and rock echoed across the city.
The first weekend wrapped up on Sunday, April 27. It ended with a bang. Big-name artists and local legends took the stage. Performers included the Dave Matthews Band, HAIM, Burna Boy, and The Revivalists.
By Milton Kirby – Randi & Phillip M, enjoying the music
Fans also enjoyed Cyril Neville, known as The Uptown Ruler. James Bay, The Soul Rebels, and Tab Benoit kept the energy high—the Branford Marsalis Quartet wowed jazz lovers with their smooth sounds.
Gospel music filled the air as Bishop Paul S. Morton and The Greater Sound Choir of Greater St. Stephen FGBC performed. Their voices lifted spirits and brought many to tears.
Guitar wizard Eric Gales lit up the stage. Jake Shimabukuro amazed crowds with his ukulele skills. C.J. Chenier & the Red Hot Louisiana Band got everyone dancing.
There was something for everyone. Boyfriend brought flair and fun. Hans Williams kept things mellow with his soft melodies. Big Freedia joined the New Orleans Gospel Soul Children for a lively show.
Local bands like the New Orleans Nightcrawlers and the Judith Owen Big Band kept the hometown pride strong. Steve Riley & the Mamou Playboys brought the sounds of Cajun country.
Jazz fans enjoyed an exceptional performance by the Louis Armstrong Hot 5 and 7 Centennial, featuring Nicholas Payton and Dr. Michael White.
The festival celebrated world music too. Etran de L’Aïr of Niger and RAM of Haiti performed, showcasing global sounds.
Big Chief Monk Boudreaux & The Golden Eagles honored the Mardi Gras Indian traditions. People Museum added a new indie-pop flavor.
Tributes were also part of the weekend. Paul Varisco & the Milestones honored the late Luther Kent. Trickbag, featuring Jonathon “Boogie” Long, joined the tribute.
Legendary guitarist Bill Frisell teamed up with Brian Blade and Thomas Morgan. Their set was soulful and moving. Tuba Skinny and Charlie Gabriel and Friends closed out smaller stages with traditional jazz favorites.
Everywhere you looked, music filled the air. From the opening bell at 11:00am to the last note at 7:00pm, there was a tune for every soul.
By Milton Kirby – Friends gathering for a good time
There truly was something for everyone. Young, old, and even the unborn were part of the celebration. Many expectant mothers could be seen walking from stage to stage, enjoying the sunshine and music.
The temperature on the festival grounds reached 86 degrees. But the music was even hotter. Fans danced, sang, and celebrated despite the heat.
Kids had their own place to play and learn. The children’s venue offered music, crafts, and storytelling. Parents relaxed nearby, knowing their little ones were entertained.
Food was a major highlight. More than 60 vendors were set up in nine different areas. The smells of gumbo, jambalaya, and crawfish pies filled the air.
Cultural blending happened everywhere. Music, dance, and food from around the world came together. It was an authentic New Orleans experience.
The festival grounds were alive with color. People wore hats, beads, and colorful shirts. Some brought umbrellas, not for rain, but to twirl and dance with.
Artisans sold handmade jewelry, paintings, and crafts. Every corner offered a new surprise.
You could hear musicians practicing or playing small sets even when moving between stages. Every inch of the festival vibrated with life.
The spirit of New Orleans was strong. Smiles were everywhere. Strangers became friends. Families reconnected.
Security and volunteers kept things safe and fun. Water stations were easy to find. Medical tents stayed ready but mostly handed out sunscreen and water.
By Milton Kirby – New Orleans Jazz Festival
The Jazz Fest isn’t just about music. It’s about culture, community, and celebration.
Tommy and Elizabeth of Fair Hope, AL, return to the festival year after year for the music, the food, and the march.
For others, Jazz Fest is a long-time tradition. Tori McKenny of Boston, who has New Orleans roots, has been coming for 30 years.
“It’s not just about the music,” McKenny said. “It’s about meeting old friends, making new ones, and blending two worlds. This festival is home for me.”
Festival organizers made sure everyone felt welcome. Maps and event guides were available. Volunteers guided guests to stages, food areas, and art villages.
Families with kids found shady areas to rest. Grandparents shared memories while little ones danced. Teens enjoyed discovering new bands and posting their experiences online.
Vendors offered tastes from every corner of Louisiana. Crawfish étouffée, shrimp po’boys, beignets, and sno-balls were just a few of the favorites.
“The food alone is worth the trip,” said Julie Sanders of Houston. “I’m eating my way through every booth.”
The blend of cultures was more than just food and music. Dance groups from across the globe performed throughout the grounds. African drum circles, Cajun dancers, and Caribbean steel drum bands gave nonstop shows.
Workshops taught traditional crafts. Guests could learn to weave baskets, make Mardi Gras masks, and carve wooden instruments.
Jazz Fest shows the world that New Orleans is still one of the greatest cultural cities.
As the final notes drifted into the night, everyone knew the magic would last. Memories were made. Songs were shared. And hearts were full.
The 2025 New Orleans Jazz & Heritage Festival once again is proving why it remains one of the most beloved events in the world.
With great food, hot music, and happy crowds, this first weekend no one will soon forget.
In New Orleans, the music never stops. And neither does the joy.
More music, more food, and excitement are on tap for next weekend.
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