Arts & Entertainment Archives - The Truth Seekers Journal

Cherie Danielle Brings Cultural Work to the Stage in College Park

Atlanta actress Cherie Danielle debuts The Cultural Workers Got Something to Say Oct. 3–5 at PushPush Arts Center, blending art, activism, and community dialogue.

By Milton Kirby | Atlanta, GA | September 22, 2025

When Atlanta-born actress, comedian, and writer Cherie Danielle steps onto the stage at the PushPush Arts Center this October, she will not simply be performing a play. She will be carrying forward a mission — to use art as a weapon for liberation, political education, and collective imagination.

Her one-woman show “Afro Goddess Pt. 2 R/evolutionary Love” and “The Shootout” by Jihad Abdulmumit will be featured in The Cultural Workers Got Something to Say, runs October 3–5, 2025 in College Park. It is the newest expression of her artistic journey, shaped by a lifetime of acting and a recent commitment to redefining herself not as a “creative,” but as a cultural worker. The distinction, inspired by Musa Springer’s essay “A Cultural Worker, Not a Creative,” reflects Danielle’s belief that art must serve the people.

“The role of a cultural worker,” she explained in our interview, “is to open minds, hearts, and actions toward collective liberation.”

From DeKalb to New York

Danielle’s foundation as an artist was laid in Atlanta. She majored in drama and minored in vocal music at DeKalb School of the Arts before moving to New York to study at the American Academy of Dramatic Arts. There, she built a stage résumé that included The Colored Museum, Chains, and Angela’s Justice, while also touring nationally in I Have a Dream.

Her training continued at institutions such as Marishka Phillips Theatrical Preparatory, The Classical Theatre of Harlem, and The Acting Studio. Alongside her theater work, Danielle began to appear on screen, earning credits in Netflix’s Barry, HBO’s The Deuce, and short films featured at festivals worldwide.

The Afro Goddess Legacy

In 2016, Danielle wrote and performed her first solo show, The Diary of an Afro Goddess. Premiering in New York and later staged in Atlanta at the Porter Sanford Performing Arts Center, the play earned an AUDELCO Award nomination for Outstanding Solo Performance. The project also launched Afro Goddess Productions, her vehicle for developing original films and digital content.

That foundation now continues with her latest work, The Cultural Workers Got Something to Say. The production critiques capitalism, empire, and systemic exploitation, while urging audiences to imagine and organize for a liberated world. Danielle performs alongside pieces from other artists, including work by former political prisoner Jihad Abdulmumit.

Atlanta Roots

Danielle’s connection to Atlanta runs deep. She is the daughter of Charles Bythwood, a respected Atlanta architect. Where her father built with concrete and steel, Danielle builds through performance — constructing frameworks of culture, memory, and resistance. Both legacies are grounded in shaping spaces where people can thrive.

Movement Context

Her latest work also situates itself in present-day struggles. Danielle points to the Stop Cop City movement in Atlanta and to global calls for justice as inspiration. For her, art must reflect and respond to these conditions, whether by demanding universal healthcare and basic income or by challenging what she calls “the false promises of Black capitalism.”

Expanding the Audience

Danielle is committed to making sure her work reaches beyond traditional theater spaces. She plans to bring The Cultural Workers Got Something to Say to colleges, community centers, and grassroots organizations, emphasizing political education and dialogue. Each performance will conclude with a community talkback — part of her belief that art should spark collective action, not just reflection.

A Call to Action

As she prepares for her October performances in College Park, Danielle frames her mission in simple but urgent terms: art must open pathways to liberation.

“Getting involved, organizing, and imagining a better world — that’s the work,” she said. “Theater is just the beginning.”

Event Details:

The Cultural Workers Got Something to Say!
October 3–5, 2025 | PushPush Arts Center, 3716 Main Street, College Park, GA 30337
Tickets: $25 general admission (sliding scale available)
Presented by Community Movement Builders Atlanta Political Education
Two 50-minute plays with intermission, followed by a community talkback
90% of proceeds benefit Community Movement Builders
To Purchase Tickets

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BronzeLens Film Festival Marks 16 Years with Big Wins and Bittersweet Goodbye

BronzeLens Film Festival celebrated 16 years with award-winning films, heartfelt tributes, Deidre McDonald’s retirement, and standout screenings of The Rhythm & The Blues and Rap Dixon.

By Milton Kirby | Atlanta, GA | September 2, 2025

The 16th Annual BronzeLens Film Festival wrapped with triumph and tenderness, spotlighting bold new works while also marking a transition in leadership. Nearly 100 films were submitted and screened at the historic Tara Theatre, with the festival’s grand awards ceremony staged at the Ray Charles Performing Arts Center on Morehouse College’s campus.

A bittersweet note came when Deidre McDonald, the founding Artistic Director, announced her retirement. For 16 years, McDonald has been the guiding force behind BronzeLens, helping the festival grow into an Academy Award®-qualifying event in the Short Film category and a key cultural institution celebrating stories by creators of color.

Winners and Honors

This year’s winners showcased the wide-ranging creativity of filmmakers across genres:

Dance Videos: Cut Me Summa Dat Noise
Best Music Video: FREEDOM
Best Documentary: Mount Mutombo
Best Short Documentary: Exodus
Best Feature: Color Book
Best Student Film: Jean & I
Best Web Series: Hogtown / Ainsi Va Manu
Short Films: ADO
Best of Festival: Color Book
Best Actor: Will Catlette (Color Book)
Best Actress: Jennifer Lewis (Color Book)
The Andrew Young Cinema and Social Justice Award: Following Harry

Dikembe Mutombo -Best Documentary: *Mount Mutombo*

The feature Color Book emerged as the night’s biggest winner, sweeping top honors including Best Feature, Best of Festival, and both acting awards.

Two Standout Screenings

Of the many films presented, two stood out to me personally: The Rhythm & The Blues and Rap Dixon: Beyond Baseball.

The Rhythm & The Blues, directed by Darryl Pitts, tells the story of guitarist Eddie Taylor, a blues genius whose career was strained by exploitation, family tensions, and cultural appropriation. Leon Robinson’s portrayal of Taylor was both riveting and tender, anchoring a story that has been described as “powerful” and “necessary.” Pitts, who independently financed the project, praised Robinson’s ability to make difficult characters lovable, adding a layer of humanity to a tale about legacy and artistic ownership.

Rap Dixon: Beyond Baseball shed light on one of the Negro Leagues’ greatest yet least remembered outfielders. Dixon’s career from 1922 to 1937 was marked by brilliance, but racism and segregation obscured his legacy. The film’s archival depth and expert commentary from historians like Leslie Heaphy and Lawrence D. Hogan gave Dixon’s story long-overdue recognition. SABR’s Ted Knorr called Dixon “a true five-tool player,” advocating for his Hall of Fame inclusion. Viewers described the documentary as moving and a correction to baseball’s historical record.

Looking Ahead

As the festival closed, anticipation already began for the next edition. Submissions for the 2026 BronzeLens Film Festival open October 15, 2025, promising another year of powerful storytelling, cinematic excellence, and cultural celebration.

From the Tara Theatre screenings to the Morehouse awards stage, this Sweet Sixteen edition re-confirmed BronzeLens’ place as one of the nation’s premier showcases for films by and about people of color—an event where artistry, history, and community converge.

MARTA’s Transit Ambassadors Gear Up for Labor Day Travelers

MARTA’s Transit Ambassadors return this Labor Day, guiding riders through busy stations and events. Born during Super Bowl 2019, the program now prepares Atlanta for the 2026 World Cup.

By Milton Kirby | Atlanta, GA | August 27, 2025

As Labor Day weekend approaches, MARTA is once again deploying its Transit Ambassadors across the rail and bus system to help guide travelers through one of Atlanta’s busiest holiday weekends. The program, which began in the lead-up to Super Bowl LIII in 2019, has grown into a cornerstone of MARTA’s customer service strategy.

The Transit Ambassador Program was born out of necessity during Atlanta’s hosting duties for the Super Bowl. With more than half a million fans navigating the city, MARTA saw an opportunity to reimagine how it welcomed riders. Staff members from across the Authority stepped into stations to offer directions, assist with Breeze cards, and provide a human connection that technology alone could not deliver. This personal touch, often missing in large transit systems, has been a key to the program’s success.

Since its inception, Transit Ambassadors have been a fixture at major events. They have guided fans during international soccer tournaments, eased congestion at concerts in State Farm Arena and Mercedes-Benz Stadium, and offered reassurance to new riders during peak travel times.

“This is one of the few programs where you’ll see someone from the executive office standing next to a customer at a faregate, walking them through how to tap in,” said Jon Gordon, MARTA’s Director of Customer Engagement. “It’s a shared effort that reflects our commitment to the rider experience.”

The program stands out because it is powered by MARTA employees themselves. From finance and administration to operations and communications, staffers volunteer for shifts to serve as Ambassadors. They are equipped to troubleshoot faregate issues, guide customers through transfers, and provide quick fixes when ticket vending machines malfunction. In some cases, Ambassadors even carry complimentary tickets to keep riders moving during bottlenecks.

During the recent safety briefing at Chamblee Station, I experienced my own confusion as well as that among riders when no attendants or Ambassadors were on hand to assist. In such situations, attendants and Ambassadors play a crucial role in solving problems, guiding riders through safety procedures, providing reassurance, and ensuring a smooth flow of operations.

Although MARTA showcased its Real-Time Crime Center and Emergency Operations Center — complete with motorcycles, an armored vehicle, and drones — the lack of direct rider support left some passengers struggling at faregates and ticket vending machines.

As I wrote in The Truth Seekers Journal’s coverage of that event, MARTA is generally a safe and reliable system. Still, moments like this remind us that a missing attendant or Ambassador can leave first-time or casual riders with the impression of poor operating standards.

MARTA officials have said the long-term goal is to expand Ambassador coverage beyond major events, precisely to avoid gaps like these.

Rider feedback has helped refine the program. A recently introduced internal app allows Ambassadors to check in at stations, log issues in real time, and coordinate responses more effectively. The combination of technology and human interaction has not only made Atlanta’s transit system more accessible, but also reassured riders that their concerns are being addressed in real time.

Looking ahead, MARTA is considering expanding the program beyond special events. Plans are underway to provide Ambassador coverage during daily peak hours, ensuring regular commuters benefit from the same level of personal assistance as travelers heading to major sporting events or concerts. This expansion aims to fill the gaps in rider support and enhance the overall transit experience.

The timing is crucial. In less than a year, Atlanta will host matches for the 2026 FIFA World Cup, an event expected to draw hundreds of thousands of international visitors. MARTA leadership sees the Ambassador program as central to its readiness plan.

“This is about more than just moving people,” Gordon said. “It’s about making them feel welcome, confident, and connected to the city.”

This Labor Day, MARTA Ambassadors will be on the ground once again — in stations, at faregates, and on platforms — helping riders reach their destinations smoothly. It is a reminder that Atlanta’s transit system is not just about trains and buses, but about the people who power them.

MARTA rolls out Big Changes with New Fare System Upgrades

MARTA Unwraps the Holidays with Free Rides, Festive Buses, and Gifts for Riders

MARTA Rolls Out an Outkast Tribute Across Atlanta

MARTA Completes Garnett Station Platform Renovation

From Tokens to Tap-to-Pay: MARTA Unveils Better Breeze

MARTA to Close Five Points Peachtree Entrance as Next Phase of Transformation Begins

MARTA Interim CEO Charts Course for Safer, Faster, More Reliable Transit Ahead of World Cup

Atlanta Beltline Nears 2030 Completion with Big Progress and Bigger Goals World-Class Transit for World-Class Soccer: MARTA Steps Up

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Chit Chat Atlanta Tours Launches With Immersive Black History & Cultural Experiences

Chit Chat Atlanta Tours launches Labor Day with immersive Black history, Civil Rights, and cultural experiences, offering visitors a powerful way to discover the soul of Atlanta.

By Milton Kirby | Atlanta, GA | August 27, 2025

This Labor Day, Atlanta visitors and residents will have a new way to experience the city’s legacy of resilience, creativity, and pride. Chit Chat Atlanta Tours, a Black woman-owned cultural tourism company, officially launches September 1 with a lineup of immersive experiences spotlighting the city’s Black history, Civil Rights heritage, and modern cultural excellence.

The company, founded by veteran public relations professional and cultural storyteller Carla Morrison, promises more than sightseeing. Through carefully curated routes, guests will walk the streets where Dr. Martin Luther King Jr. once preached, hear the stories of Atlanta’s trailblazers, and taste the flavors of Black-owned restaurants shaping today’s culture.

“Our mission is to preserve legacy, educate all generations, and spotlight the rich culture of Atlanta’s Black community,” said Morrison. “Whether it’s a family reunion, corporate group, or school trip, our tours are soul-stirring journeys designed to honor the past while celebrating the present.”

A Journey Through Atlanta’s Soul

The tours weave together landmarks and hidden gems across the city. Stops include Ebenezer Baptist Church, the King Center for Nonviolent Social Change, Sweet Auburn Avenue, the APEX Museum, Castleberry Hill, Trap City Café, Patchwerk Studios, the Black Music & Entertainment Walk of Fame, and Tyler Perry Studios.

Each experience blends education with entertainment, giving participants “a little bit of trap, a little bit of truth, and a whole lot of Atlanta pride.”

Signature Experiences

Black History & Civil Rights Tour (2–4 hours): Visits Ebenezer, the MLK Historic Site, Sweet Auburn, SCLC, Big Bethel AME, and historic Black-owned businesses.
Reality ATL Restaurant Tour: A culinary journey highlighting Black-owned restaurants and chefs defining the city’s food scene.
The ATL Remix Tour: Designed for tourists interested in music, film, and fame, mixing history with Atlanta’s cultural flair.
HBCU Campus Tour: Explores Atlanta’s Historically Black Colleges and Universities and their enduring impact.
Peachtree Street Tour: Examines Atlanta’s main artery with its blend of business, culture, and contradictions.
Custom Group Tours: Tailored for schools, churches, DEI retreats, and special events.

Tours start at $75 per person, with private and custom packages available. Year-round bookings are expected to peak during Black History Month, Juneteenth, and the summer reunion season.

A Cultural Legacy Reimagined

By blending storytelling, history, and cultural immersion, Chit Chat Atlanta Tours positions itself as more than a tourism venture—it’s a living classroom and cultural celebration. The company is part of a growing movement in Atlanta to recenter the city’s narrative around the voices that built it.

For bookings or more information, visit www.ChitChatCommunications.biz, follow @ChitChatAtlantaTours on Instagram, or call (404) 319-2130.

Discover the Soul of Atlanta.

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BronzeLens Film Festival Opens with Stirring Tribute to Blues Legend Eddie Taylor

The 16th Annual BronzeLens Film Festival opened in Atlanta with The Rhythm & The Blues, a moving tribute to Eddie Taylor, celebrating diverse stories and filmmakers of color.

By Milton Kirby | Atlanta, GA | August 21, 2025

A near-capacity crowd filled the historic Tara Theatre Wednesday night for the opening of the 16th Annual BronzeLens Film Festival, a celebration of filmmakers of color that has become a cornerstone of Atlanta’s cultural calendar.

The festival launched with the premiere of The Rhythm & The Blues, a feature directed and written by Darryl Pitts. “We started this project back in 2014,” Pitts said. “Through a series of twists and turns, the film came to fruition.” The film shines a long-overdue spotlight on blues guitarist Eddie Taylor, a key but often overlooked figure in American music. Actor Leon Robinson delivered a moving portrayal of Taylor, whose career was marked by artistic brilliance and exploitation by a music industry that too often erased or commodified Black artists.

When asked how he approaches his varied roles, Robinson explained, “In order to be someone real, you have to be them. With that, I do not feel like I am acting.”

Photo by Milton Kirby – Leon Robison & Darryl Pitts

Preserving a Musical Legacy

Founded in 2009, BronzeLens has dedicated itself to showcasing stories by and about people of color while positioning Atlanta as a global hub for filmmaking. This year’s hybrid edition runs August 20–24, with online screenings extending beyond the festival dates.

At precisely 7:45 p.m., the curtain rose on The Rhythm & The Blues, a narrative infused with recollections from Taylor’s son, Chicago bluesman Larry Taylor, and journalist Bonni McKeown. The cast includes Guy Davis as Jimmy Reed and Toni Belafonte as Vera Taylor, Eddie’s wife, whose presence added emotional depth to the story. The soundtrack, featuring contributions from Larry Taylor and the late Eddie Taylor Jr., gave the film an authenticity that resonated deeply with the audience.

The film previously sold out its New York debut at Lincoln Center during May’s African Film Festival. Its Atlanta premiere further cemented its reputation as a work that blends cultural history with personal struggle.

Shorts Highlight Diverse Narratives

Opening day also featured a series of shorts that reflected the variety and spirit of BronzeLens:

The Off-Brands, directed by Shayla Racquel, followed Constance McKinney, a quirky Black teenager with sickle cell disease, navigating small-town high school life. The story drew on Y2K nostalgia while addressing disability, culture, and belonging.
Grounded: Creating Space for Black Peace, directed by Brittney Brackett, explored how Black and Brown communities confront trauma and mental health struggles, emphasizing healing through art and safe spaces for youth.
Curtain Call, a poignant drama, chronicled a teenager’s choice between the streets and possible incarceration and freedom, ultimately finding redemption through resilience.

A Passing of the Torch

The evening closed with a bittersweet announcement. Deidre McDonald, BronzeLens’s founding artistic director, shared that 2025 will be her final year leading the festival. Since its inception, McDonald has been the festival’s guiding force, cultivating an event that attracts filmmakers from Angola, Canada, Jamaica, and Georgia alike.

“The mission of BronzeLens has always been to elevate diverse voices and to celebrate stories that inform and inspire,” McDonald said. “That mission will continue.”

Looking Ahead

With opening night behind it, BronzeLens now turns to a week of programming that includes documentaries, panel discussions on AI’s role in film and representation, and screenings from filmmakers around the globe.

For many, The Rhythm & The Blues set the perfect tone for the days ahead—a reminder that music and film are both powerful acts of protest, legacy, and cultural preservation.

The festival continues through Sunday, promising to showcase stories that challenge, uplift, and reflect the richness of communities often left out of mainstream narratives.

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Goldmine of Opportunity and Inspiration: Black Writers Weekend Ignites Atlanta

Black Writers Weekend 2025 in Atlanta united authors, screenwriters, and creatives for panels, workshops, and mixers, inspiring storytelling, industry insight, and authentic connections across literature, film, and TV.

By Milton Kirby | Atlanta, GA | August 10, 2025

From July 31 to August 2, 2025, Atlanta’s cultural heart pulsed with the vibrant energy of Black storytelling at the annual Black Writers Weekend—a dynamic three-day festival celebrating the convergence of literature, film, publishing, and social media with past as well as emerging creative voices. Hosted at the Auburn Avenue Research Library and the Loudermilk Conference Center, this year’s event emerged as a true goldmine of opportunity and inspiration for all who attended.

A Tapestry of Talent and Connection

The lineup was nothing short of stellar:

Jess Black, Gia Compton, Tamra Simmons, Anna Marano, Sheena Herod, and Phoenix Williams—the latter a best-selling author and screenwriter—graced the stage on Thursday and Friday with their presence and creative legacy.
Emerging voices and luminaries—like Apostle Dwight K. Buckner Jr., K.C. Mills, and Alvin Gray—also lent their expertise through panels, workshops, and live conversations

Events That Celebrated Creativity and Community

Lit Crawl unfolded in lively fashion, guiding participants through live readings, storytelling
The Short Film Fest, hosted at Auburn Avenue on July 31, premiered impactful shorts like As You Are, Brim, and Granny’s Daughters, followed by a vibrant Mix & Mingle the Creative Influencer Mixer capped the kickoff evening with curated networking

Insight, Innovation, and Empowerment Panels

Friday—the “Creative Day”—powered forward with workshops like:

The Four Tenets of Fantasy World Building
Book Launch Workshop
Make Them Say Your Name: Owning Your Platform
Building Boldly: Storytelling at the Intersection of Purpose, Power & Possibility

On the main stage, the conversations ran deep and inclusive:

Love, Lust & Liberation: Redefining Her Stories
Access to Hollywood, moderated by Jess Black, featuring Gia Compton, Tamra Simmons, Sheena Herod, and Anna Marano
The I Am Creative talk with K.C. Mills
Creative Talk: Purpose, Pen & Power, led by Apostle Dwight K. Buckner Jr.

Saturday—branded “Community Day”—expanded the festival’s cultural footprint with panels like:

DEI & Banned Books: Navigating the Intersection of DEI and Censorship
The Mama’s Den Podcast (Live) with Melanie Fiona and others
Girl, Tell Your Story spotlighting voices like Dr. Ebony Butler and MaHogany Jackson
HisStory featuring Lem Collins and others

Additional activations included:

A Lit Lounge offering workshops in children’s books, memoir writing, and “Next Up” panels with emerging authors
A Workshops Room illuminating paths like subsidiary rights in publishing, Black perspectives in horror/fantasy, and ghostwriting monetization
The Creative AF Mixer held Saturday evening at the Bookstore Gallery

A Festival for All: Access Meets Aspiration

Much of the main programming—panels, book fairs, and conversations—was free with registration. Premium access, including masterclasses, pitching opportunities, and lounge areas, came with ticketed passes.

Why It Mattered

As festival founder Tamika Jamison (formerly Newhouse) articulated, Black Writers Weekend responds to the uphill battle Black creatives face in the mainstream publishing world—where representation and awareness remain lacking. This transformative weekend created intentional “footprints” that declared: “We existed” and “We are here” .

Looking Ahead

Moving forward, enthusiasts and attendees alike can anticipate continued growth of this festival under AAMBC Inc.—a platform that increasingly bridges emerging voices with established creative communities in publishing, film, and television.

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From Student to Leader: Elise Durham NABJ’s New Executive Director

Elise Durham named NABJ Executive Director, bringing 30+ years of leadership in journalism, communications, and public service to guide the organization into its next era.

Veteran communicator and longtime NABJ member brings decades of leadership to new role

By Milton Kirby | August 8, 2025 | Cleveland, OH

The National Association of Black Journalists (NABJ) has appointed Elise Durham as its next executive director, marking a pivotal moment in the organization’s leadership as it heads into its next 50 years of advocacy and excellence in journalism.

Elise Durham, a seasoned communications professional with more than three decades of experience in television news, public affairs, and government relations, will assume the role this fall. Her selection follows an extensive nationwide search conducted by the NABJ executive board and an ad hoc executive director search advisory committee. Candidates were evaluated on key metrics critical to navigating the evolving landscape of media and journalism, and Durham emerged as a clear frontrunner, bringing a wealth of experience and expertise to the role.

Currently, Durham serves as the Assistant General Manager of Marketing, Communications, and Public Affairs at Hartsfield-Jackson Atlanta International Airport, the busiest airport in the world. There, she has sucessfully managed a multimillion-dollar communications portfolio and leads a team of 30, building partnerships with corporate, community, and strategic stakeholders. She previously served as communications director for Atlanta Mayors Keisha Lance Bottoms and Andre Dickens, and as Executive Director of Strategic Communications at Morehouse College, where she helped raise $120 million in a capital campaign.

Durham’s connection to NABJ runs deep. A member for over 35 years, she has held multiple leadership roles within the organization, including convention program chair, convention chair, and producer of several U.S. presidential candidate forums. She also orchestrated the Founders’ Reception at the National Museum of African American History and Culture in Washington, D.C.

“I am honored and ready to help lead NABJ into its next, most transformative chapter grounded in vision, advocacy, innovation, and love,” Durham said. “I often say that NABJ is the longest love affair I have ever had, and I am excited about what the future will bring.”

Her journey with NABJ began as a student at Florida A&M University, where she participated in the first-ever NABJ Short Course. She remains engaged with her alma mater, serving on the Board of Visitors for the School of Journalism and Graphic Communication.

Durham also brings newsroom experience, having worked at six television stations, including Atlanta’s WSB-TV, where she helped produce two of the nation’s top-rated news programs. She has raised tens of thousands of dollars for scholarships through the Atlanta Association of Black Journalists and currently serves as its Parliamentarian.

NABJ President Ken Lemon expressed confidence in Durham’s ability to build on the organization’s legacy. “The selection of our next executive director now allows the current executive board, which also serves as NABJ’s personnel committee, to fulfill responsibilities they were elected to do,” Lemon said. “That includes ensuring an executive director is in place and empowered to do the business of NABJ as we roll into our next 50 years.”

The transition comes as longtime Executive Director Drew Berry prepares to retire later this year. The NABJ board emphasized the importance of a smooth leadership shift to maintain organizational stability and strong relationships with sponsors and partners—many of whom are attending this year’s convention.

This transition marks a significant moment in NABJ’s history, signaling a new era of leadership and growth.

Berry voiced his enthusiasm for Durham’s selection: “We are thrilled to welcome Elise Durham as NABJ’s next executive director. With a deep understanding of our organizational history and culture, and a proven track record of visionary leadership, she is uniquely positioned and qualified to guide NABJ into its next chapter,” he said. “Serving this extraordinary organization has been the honor of a lifetime. I leave this position proud of what we’ve built together.”

Durham’s appointment signifies both a continuation of NABJ’s mission and a bold step forward, promising renewed energy, strategic growth, and a future rooted in the values that have defined the organization for nearly five decades.

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Black Writers Weekend Returns to Atlanta: Where Stories Ignite and Voices Rise

Black Writers Weekend 2025 in Atlanta celebrates Black authors, screenwriters, and filmmakers with panels, pitch sessions, film screenings, and networking at Auburn Avenue Library.

By Milton Kirby | Atlanta, GA | July 11, 2025

Black Writers Weekend (BWW) is not just a festival, it’s a celebration of Black voices in publishing, film, and television. Returning to Atlanta from July 31 through August 2, this unique event brings together a vibrant community of storytellers, readers, and industry professionals. Hosted at the historic Auburn Avenue Research Library, the 2025 edition promises an unforgettable three-day journey through the power of narrative.

Founded by Tamika Newhouse, an award-winning author and literary entrepreneur, Black Writers Weekend is powered by AAMBC Inc.—the African Americans on the Move Book Club organization she also leads as CEO. BWW is more than just a festival—it’s a cultural movement that elevates underrepresented voices and connects aspiring creatives with opportunities that can reshape their careers.

“Black Writers Weekend is about reclaiming storytelling space and building bridges between artists and the world that needs their voices,” said Newhouse, who also runs Delphine Publications. This pioneering independent press has launched the careers of dozens of journalists.

A Festival for Creatives of Every Kind

BWW 2025 offers an immersive itinerary, from lively Lit Crawls through Atlanta’s arts district to powerful film screenings, live table reads, and literary panels that foster dialogue, inspiration, and community. The weekend’s Film Fest will again feature short films alongside monologues and audio storytelling, providing a critical platform for emerging Black filmmakers and screenwriters.

This year’s Pitch Pit is poised to be a highlight, inviting authors and screenwriters to pitch their projects live to a panel of agents, publishers, and film executives. Participants must present a concept sheet and logline; appointments are granted on a first-come, first-served basis.

“We celebrate diverse narratives and provide space where emerging talent can be seen and heard,” said Newhouse. “Pitch Pit is a launchpad for the next generation of storytellers.”

Speaker Lineup That Reflects Creative Power

The 2025 event will feature a powerhouse speaker lineup, including:

Tamika Jamison, Author | Actor | Entrepreneur
Melanie Fiona, Filmmaker
Ashley Chea, Author | Filmmaker
Storm, Podcaster
Shalisha Bynoe, Ghostwriter
Shai August, Author
Ronda Racha Penrice, Author
Rian Jenkins, Author
Positive B. White, Author
Phoenix Williams, Author
Nikki Clarke, Author
Marcie L. Thomas, Book Club Owner

Past speakers have included luminaries like Tressa Azarel Smallwood, Jill Tew, Connie Morrison, Mark T. Sneed, and James R. Sanders.

Your Stay, Your Story

Festival-goers are encouraged to book accommodations at the VOCO The Darwin – Atlanta Midtown, the official host hotel. Attendees should use group code BWW when reserving rooms at this IHG property, located at 585 Parkway Dr. NE, Atlanta, GA 30308.

Meet the Visionary: Tamika Newhouse

The heartbeat of Black Writers Weekend, Tamika Newhouse has authored multiple novels, launched a successful publishing company, and mentored hundreds of aspiring writers. Her passion for representation has made her a trailblazer in both literature and entrepreneurship. From overcoming barriers in publishing to nurturing new talent, Newhouse embodies the transformative power of storytelling.

“Tamika is the kind of force our industry needs—visionary, determined, and deeply connected to community,” said one past BWW attendee.

Her tireless work has earned her numerous accolades, but her most incredible legacy may be in the doors she continues to open for others.

A Movement Rooted in Purpose

With Atlanta’s cultural roots and historic connection to Black arts and activism, BWW thrives in a city that knows the power of words and images. The festival’s mission aligns with AAMBC’s broader goal: to merge literary excellence with visual storytelling, paving the way for greater visibility, equity, and access in publishing and film.

This year’s theme, “Sharing Our Stories,” reflects the festival’s ongoing commitment to authentic storytelling—from the page to the screen. We invite you to share your unique narrative and be part of this collective celebration of Black storytelling.

Get Involved, Get Inspired

Whether you’re a creator, a fan, or someone searching for their next big idea, Black Writers Weekend welcomes you. We encourage you to get involved, share your passion, and be inspired by the vibrant community of storytellers. Follow @blackwritersweekend on Instagram for updates, behind-the-scenes coverage, and submission details.

The Official Website of Black Writers Weekend

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Your Guide to Riding MARTA to See Beyoncé Live in Atlanta

MARTA adds extra service for Beyoncé’s Cowboy Carter Tour in Atlanta. Ride safely and skip traffic with direct access to Mercedes-Benz Stadium via rail.

By Milton Kirby | Atlanta, GA | July 10, 2025

Beyoncé is back in Atlanta—and MARTA is ready to take fans there in style.

With four sold-out shows scheduled at Mercedes-Benz Stadium—Thursday, July 10; Friday, July 11; Sunday, July 13; and Monday, July 14—MARTA is expanding service and increasing support staff to help manage the Beyoncé buzz across the city.

The Metropolitan Atlanta Rapid Transit Authority has announced additional train service before and after each concert, including dedicated shuttle trains running between Five Points and GWCC Stations. MARTA officials say it’s the safest, most convenient way for fans to travel downtown and avoid post-concert gridlock.

Transit Ambassadors will be stationed throughout the system to assist riders, while “Load and Go” teams will help manage large crowds as they board and exit trains. MARTA Police will also be deployed systemwide to ensure a safe and secure ride for everyone.

How to Ride to the Queen:

Take the train to GWCC or Vine City Stations for direct access to Mercedes-Benz Stadium.
Use MARTA’s trip planner to check real-time bus and rail schedules and cancellations.
Download the MARTA On the Go app or follow @MARTAservice on X (formerly Twitter) for real-time updates.
Buy your fare instantly with Breeze Mobile 2.0 to skip long lines.
Use See & Say 2.0 to report any suspicious activity.
Check rail station parking availability before heading out.
SMART public restrooms are available daily from 6 a.m. to 10 p.m. at six major stations, including GWCC.

Construction Advisory: Access to Five Points Station is limited to Peachtree and Forsyth Streets due to ongoing renovations. Restrooms and customer service booths at that station are temporarily closed.

For more information, visit itsmarta.com, call 404-848-5000, or stay connected via @MARTAservice and @MARTAtransit on social media. Fans are encouraged to tag their photos with #LetMARTADrive as they head to the Cowboy Carter Tour.

With MARTA at the wheel, all that’s left to do is put on your silver and boots—because Beyoncé is ready to make Atlanta shine.

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Oscar-Qualifying BronzeLens Celebrates 16 Years of Elevating Stories by Creators of Color

Atlanta’s BronzeLens Film Festival returns August 20–24, 2025, showcasing nearly 100 films from 60 countries and honoring groundbreaking storytellers of color in cinema.

By Milton Kirby | Atlanta, GA | July 10, 2025

Atlanta will shine in the global film spotlight once again this August as the 16th Annual BronzeLens Film Festival (BLFF) returns with nearly 100 films from 60 countries, spotlighting stories created by or about people of color. Running from August 20–24, 2025, the festival promises a vibrant blend of screenings, masterclasses, and celebrations, solidifying its reputation as a premier destination for diverse storytelling in cinema.

On Wednesday, July 9, the BronzeLens Film Festival announced its Official Selections for 2025. The lineup features a diverse mix of short narratives, features, documentaries, dance films, student projects, web series, and music videos. These works come from creators across the globe—including Angola, Australia, Botswana, France, Mexico, South Africa, the United States, and more—underscoring the festival’s growing international reach.

Founded in 2009 as a nonprofit organization, BronzeLens was born from a bold vision: to promote Atlanta as a global film mecca for people of color, while creating opportunities for aspiring filmmakers to learn, connect, and grow. The concept was originated by William Pate, President of the Atlanta Convention and Visitors Bureau (ACVB), with Kathleen Bertrand, then ACVB Senior Vice President, tasked with bringing the idea to life. Bertrand conducted a feasibility study, identified a gap in the market, and in 2010 launched the inaugural festival—screening 24 films across four days, supported by panels with industry giants like Will Packer, Rob Hardy, Roger Bobb, and Tirrell Whittley.

That debut also included the first feature film from Ava DuVernay, “I Will Follow,” and soon after, BronzeLens became a founding member of the African-American Film Festival Releasing Movement (AFFRM), now known as ARRAY. This strategic alliance propelled BLFF onto the national stage and cemented its role as a launchpad for visionary Black creatives.

Today, BronzeLens is more than just a festival—it’s a movement. Under the leadership of Executive Producer Kathleen Bertrand and Artistic Director Deidre McDonald, BLFF now operates year-round. Its programming includes the Page to Screen Book Club, children’s initiatives, industry workshops, and an upcoming Facebook Live series spotlighting screenwriters, funded by the City of Atlanta’s Power2Give program.

A major milestone came in 2016 when BronzeLens became an Academy Award® Qualifying Festival in the Short Film category. This means winners of Best Short at BLFF are eligible for Oscar consideration without the typical theatrical release. In 2018, BLFF’s winning short “Wale” made it to the Oscars shortlist—a testament to the festival’s growing influence. The 2024 winner, The Rebel Girls, directed by Felicia D. Henderson, took home Best Short, Best of Festival, and earned Nika King a Best Actress award.

16^th Annual

2025 BronzeLens Official Selections

Dance Videos

.Do .Re . Mi DYSNOMIA

Cut Me Summa Dat Noise ORIGIN

The Danger of Silence

Music Videos

Born For This Mission (Walk Through The Fire) FREEDOM

PATIENCE Rage

Documentary

American Beauty

Bam Bam: The Sister Nancy Story

Beyond The Headlines: The NABJ Journey

Come Together: Art’s Power for Change

Facing the Wind

Following Harry

Guardians of the Flame

Love, Joy & Power: Tools For Liberation

Me Period

Mount Mutombo

Rap Dixon: Beyond Baseball

We Were Here – The Untold Story of Black Africans in Renaissance Europe

When We Free The World

Short Documentary

Beads, Braids & Barrettes

Bloodlines, Mississippi

Even Me 2.0

Exodus

Grounded: Creating Space for Black Peace

Her Fight, His Name: The Story of Gwen Carr and Eric Garner

Hoops, Hopes & Dreams

Howardena Pindell: Inner Circle

Keur Simbara

Say Yes To Destiny

She is Us: The Story of Judge Songhai Armstead

They Call Me Sue

Welcome Home

With Grace

Features

A Kismet Holiday

A Mess of Memories

Can You Stand The Rain

Color Book

Ratchet

Secrets, Scores, and Seduction

The Rhythm & The Blues

International Features

NAWI The Fisherman

Student Films

Anything Helps THE ENCROACHER

Curtain Call The Interviewee

Desync Washed

Intsikelelo Yamnzi Weekend One

Jean & I

Web Series

Hogtown / Ainsi Va Manu Welcome to the Forties

Short Films

?Enought!

A Beauty Supply In Queens

ADO

An Extraordinary Life

B Is For Bachata

Before You Let Go

Black Ballerina You Should Be a Model

Blackberry Winter

Chronology

Complicated Grief

COURAGE

Don’t Be Late, Myra

Don’t Hang Up

Father Time

Flick

Hard

I Wish I Were Pretty

Issa Date

JULES

LAUNDRY

Love Is Blind: Short Film

Missing Rhythms

Moonluck Wonton

Nothin’ Good & 12^th Street

Old Gray Mare

Once Upon A Dime

Project Foster

Red Clay

Ree’s Destiny

Run Like We

SOAR

The Cut

The Golden Boy

The Last Dance

The Off-Brands

The Ohio, Texas Remix

The Performance

The Untying

The Lyricist

Thomasville

Time Is Money

UNCAGED

Unexpected Ties

Waiting

Where The Children Go To Play

While You Were Sleeping

Wi Cyah Stay

Winter PsalmYasodhora

This year’s screenings will take place at the historic Tara Theatre, while the grand awards ceremony will be held at the Ray Charles Performing Arts Center on the campus of Morehouse College. The Thompson Buckhead Hotel returns as the official festival hotel.

Beyond the films, BronzeLens is known for its powerhouse panels and workshops. These sessions offer attendees actionable insights and invaluable industry access.

The highlight of Superstars Weekend is the BronzeLens Women Superstars Honors, held at Georgia State University’s Rialto Center for the Arts. This signature event celebrates Black women who have transformed film and television—whether in front of or behind the camera. Honorees are chosen for their groundbreaking storytelling, cultural impact, and commitment to mentoring the next generation. It’s not only a night of glitz and recognition, but a space where trailblazers and emerging voices build lasting connections.

“We are constantly in awe of the breadth and beauty of stories we receive from around the world,” said McDonald. “BronzeLens is about celebrating the art of filmmaking while building the networks that ensure these stories get told.”

With submissions pouring in from places as far as Botswana, France, Jordan, and Panama, BronzeLens has built a global platform with local roots. Its commitment to education, representation, and innovation continues to position Atlanta as a thriving nexus for diverse storytelling in film.

For the full list of 2025 Official Selections, visit BronzeLens Film Festival Official Site or check out the announcement video on YouTube.

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Atlanta Pauses Construction for Fourth of July, Ramps Up FIFA World Cup Prep

Atlanta pauses construction for July 4 travel, while fast-tracking downtown upgrades ahead of FIFA World Cup 2026 to improve roads, sidewalks, and connectivity.

By Milton Kirby | Atlanta, GA | July 2, 2025

In preparation for holiday travel and the arrival of global visitors next summer, the Atlanta Department of Transportation (ATLDOT) has announced a temporary halt on several construction projects, effective Thursday afternoon. The pause, aimed at easing traffic congestion for Independence Day, will last from noon on Thursday, July 3, through 9 a.m. on Monday, July 7.

ATLDOT Commissioner Solomon Caviness said the move is part of a broader plan to keep residents safe and mobile over the busy holiday weekend while maintaining momentum on critical infrastructure upgrades.

ATL DOT Commissioner – Solomon Caviness, IV

“We want to make sure that our improvements are in line with equity, safety, and mobility,” Caviness said. “And support our Vision Zero initiative to bring fatalities and serious injuries through crashes down to zero by the year 2040.”

The city formed the Atlanta Department of Transportation in 2019 to serve as the central agency for all transportation-related issues. The department acts as a one-stop shop for citizens and outside partners. It was built with dedicated staff pulled from Public Works, City Planning, and Renew Atlanta. ATLDOT is fully equipped to plan, design, build, and maintain the city’s mobility network under the One Atlanta Strategic Transportation Plan.

$120 Million Push to Improve Downtown

The construction moratorium is just a brief pause in a significant, $120 million infrastructure campaign, approved in October 2024, that specifically targets Downtown Atlanta ahead of the 2026 FIFA World Cup.. With an estimated 300,000 visitors expected for eight matches, the city is working diligently to complete a variety of upgrades.

Ongoing efforts include:

20 miles of street resurfacing
11 miles of sidewalk repairs
200 crosswalk restripings
150 new streetlights
80 wheelchair ramps
New signage and wayfinding systems

Many of these projects fall under the city’s Vision Zero Action Plan, a national initiative aimed at eliminating traffic fatalities. Atlanta saw 100 traffic fatalities in 2021; since then, deaths have dropped by 23%, a significant achievement in our ongoing efforts to improve road safety.

“Ahead of next summer, we want to make sure that we have the most presentable downtown and the safest downtown possible,” Caviness emphasized.

MLK & Ted Turner Viaduct to Reopen

Among the marquee projects nearing completion is the MLK and Ted Turner Viaduct Reconnection Project, a long-awaited effort to restore a key passageway linking Atlanta’s government district with the city’s entertainment core.

Initially built in 1922, the viaduct had been closed for years due to major infrastructure failures. Phase one of the restoration was completed in 2022. Phase two began in late 2024. According to Caviness, the final portion of the bridge is expected to reopen to traffic in mid-July.

“It’s an important connector from our Downtown government district over to the entertainment and sports complex,” he said, referring to the area that includes Mercedes-Benz Stadium and State Farm Arena.

Once reopened, the viaduct is expected to improve traffic flow and lay the groundwork for the Centennial Yards development, a sweeping overhaul project meant to reimagine Atlanta’s downtown core.

Momentum to Resume Monday

While the moratorium temporarily halts active work zones, Caviness says the department is ready to resume progress first thing Monday morning.

“On Monday, we will continue the work on our resurfacing in the downtown district, which includes over 25 centerline miles of roadway,” Caviness said. “We’re also bringing more than 11 miles of sidewalk improvements to the downtown area.”

The construction freeze serves not only to reduce holiday congestion but also signals the city’s seriousness in addressing both public safety and international visibility ahead of FIFA 2026.

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From Expo to Finish Line: MARTA’s Got Your Ride

MARTA offers safe, early rail and shuttle service for the 56th AJC Peachtree Road Race. Let MARTA drive you to Atlanta’s biggest running event.

By Milton Kirby | Atlanta, GA | July 2, 2025

As Atlanta gears up for the 56th running of the AJC Peachtree Road Race, the Metropolitan Atlanta Rapid Transit Authority (MARTA) is once again stepping up to deliver fast, reliable, and safe transportation for tens of thousands of participants and spectators.

MARTA encourages everyone heading to the Peachtree Health & Fitness Expo and the July 4 race to leave their cars at home and enjoy the stress-free convenience of public transit handling the traffic.

Expo Hours and Access

The Peachtree Health & Fitness Expo, presented by Publix, kicks off at Lenox Square on Wednesday, July 2, and continues through Thursday, July 3. Located in the Macy’s parking lot, the Expo is where runners will pick up race bibs and gear and enjoy health and wellness vendors.

Expo Schedule:

Wednesday, July 2: 9 a.m. – 6 p.m. (Atlanta Track Club members get early access from 9–10 a.m.)
Thursday, July 3: 7:30 a.m. – 6 p.m. (Peachtree Jr. participants: 7:30–9 a.m.; Atlanta Track Club members: 9–10 a.m.)

Attendees are advised to take MARTA’s Gold Line to Lenox Station, which puts them just steps away from the Expo entrance.

Race Day Transit Details

On Friday, July 4, more than 60,000 runners will fill the streets of Atlanta in the world’s largest 10K. The wheelchair division starts at 6:12 a.m., with the main field beginning at 6:50 a.m..

To accommodate early arrivals, MARTA rail service will begin at 4 a.m. on race day. Riders are urged to use the Gold Line, which provides convenient access to the starting area near Lenox Square.

Post-race travel will be fully supported by bus shuttles running from Piedmont Park and Midtown Station to Lindbergh Center Station, with the last shuttle departing at noon, ensuring a smooth journey home.

From 5 a.m. to 8:30 a.m., pre-race shuttles will connect Lindbergh Center Station to the start line.

The Atlanta Streetcar will operate extended hours, from 8:15 a.m. to 11:30 p.m., helping participants and fans navigate downtown.

Because many bus routes will be detoured for the event, MARTA urges riders to check updated routes and service changes at www.itsmarta.com.

Helpful Tips for Riders

Download the MARTA On the Go App for real-time updates and alerts.
Use Breeze Mobile 2.0 to purchase fare on your phone and avoid lines at vending machines.
Look for MARTA Transit Ambassadors, who will be stationed throughout the system to help guide race-goers.
Join the celebration on social media by tagging @martatransit and using #LetMARTADrive in your race-day photos.

Whether you’re running, volunteering, or cheering from the sidelines, MARTA is committed to making your Peachtree Road Race experience smooth and stress-free, because we value and appreciate your participation.

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Broadway Royalty and Civil Rights Warrior: Lena Horne Remembered

Lena Horne broke barriers in Hollywood and civil rights, becoming a trailblazing icon whose courage, music, and legacy continue to inspire generations of Black artists and activists.

By Milton Kirby | Atlanta, GA | June 30, 2025

On what would have been her 108th birthday, the world pauses to honor Lena Horne—a legendary singer, actress, civil rights activist, and one of the most influential Black women in American history. Horne’s career, which spanned over seven decades, was defined not only by her talent and glamour but by her fierce determination to fight against racial injustice and challenge the limits placed on her by society and Hollywood.

Born Lena Mary Calhoun Horne on June 30, 1917, in Brooklyn, New York, she emerged from a lineage of educated and civically engaged African Americans. Her grandmother, an early suffragist and activist, shaped Lena’s worldview. Despite a nomadic and, at times, lonely childhood spent following her mother’s theatrical career across the country, Horne carried the strength of her heritage with her. She left high school at 16 to perform at Harlem’s famed Cotton Club, launching a path that would eventually lead her to become the first Black performer signed to a long-term contract with a major Hollywood studio—Metro-Goldwyn-Mayer (MGM).

While at MGM, Horne appeared in more than 16 films between 1938 and 1978. Yet, due to racism, her roles were often stand-alone musical numbers that could be cut out when films were shown in segregated theaters. She was systematically denied leading roles, and in a cruel twist, even lost the part of Julie LaVerne in the 1951 film “Show Boat” to Ava Gardner, despite previously singing the part in another movie. The role was denied to her because of a ban on interracial relationships onscreen.

Horne never allowed these exclusions to define her. She sued restaurants and theaters for racial discrimination in the late 1940s and joined forces with civil rights leaders like Paul Robeson and Eleanor Roosevelt. Her activism led to blacklisting during the McCarthy era, but Horne never backed down. When the U.S. Army allowed German POWs to sit in front of Black soldiers at a World War II USO performance, she walked off stage and personally financed her own tour to entertain Black troops.

“My identity is very clear to me now. I am a Black woman. I’m free. I don’t have to be a symbol to anybody,” she once said. This powerful statement reflects Lena Horne’s journey of self-definition and pride. Her words continue to inspire others to embrace their own identities with confidence and self-awareness.

In the 1960s, Horne was a prominent figure in the civil rights movement. She marched in Washington, performed at rallies in the Jim Crow South, and lent her voice and fame to the National Council of Negro Women and the NAACP. Her commitment to the cause was unwavering. When Medgar Evers was assassinated, she had just appeared with him at a rally in Mississippi, a testament to her dedication to the fight for equality.

Her resilience eventually led to triumphs. Horne reinvented herself in the 1980s, dazzling Broadway in the Tony Award-winning one-woman show, Lena Horne: The Lady and Her Music. The show ran for 333 performances and earned her a special Tony Award, as well as two Grammys. It remains the longest-running solo show in Broadway history.

Despite battling multiple sclerosis, a fact she never publicly discussed, Horne lived to be 92. She died in 2010 of heart failure in New York City. Her funeral brought out luminaries like Dionne Warwick, Cicely Tyson, Audra McDonald, and Vanessa Williams—a who’s who of Black excellence shaped in her wake.

Despite the challenges she faced in her career, Horne’s personal life was also marked by resilience and strength. She was a mother and grandmother, and her family was a source of joy and support for her. She had two children, Gail and Edwin, and was later married to white bandleader Lennie Hayton. Their interracial marriage was initially kept secret due to public scrutiny, yet the relationship helped her navigate a treacherous industry with grace and strength.

Lena Horne’s legacy lives on through her granddaughter Jenny Lumet, a screenwriter who continues to carry on her grandmother’s work. Her name is immortalized in stamps, awards, and most fittingly, the Broadway theater that now bears her name—the Lena Horne Theatre. As the first Black woman to receive this honor, Lena Horne’s enduring impact is a testament to the power of her life and work.

From stormy beginnings to a triumphant, unyielding voice, Lena Horne carved her name into history with elegance and courage. She was not only a fierce activist but also a jazz singer, a movie star, and a patriot. Her performances, both on screen and on stage, were marked by her undeniable talent and grace. Above all, she was a symbol of pride and perseverance, leaving an indelible mark on the arts and civil rights.

Today, on Lena Horne Day, her story continues to inspire artists, activists, and dreamers worldwide. Her legacy, like her music, will never fade.

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From Tupelo to the World: Elvis Presley’s Birthplace Preserves His Legacy

Elvis Presley Birthplace Museum in Tupelo honors the King’s humble roots, rich musical heritage, and the fans who keep his legacy alive.

By Milton Kirby | Tupelo, MS | June 12, 2025

In a modest two-room shotgun house built in 1934 by Vernon Presley with just $180, the King of Rock’ n Roll, Elvis Aaron Presley, was born on January 8, 1935, in East Tupelo. Nearly a century later, the Elvis Presley Birthplace Museum stands as a globally recognized tribute to the musical legend who never forgot his roots preserving his legacy for generations to come.

From Poverty to Legacy

Life was difficult for the Presley family. Vernon and Gladys Presley, Elvis’s parents, struggled to make ends meet and eventually lost their home due to nonpayment of the loan. The family relocated several times around Tupelo before moving to Memphis when Elvis was 13.

Yet it was in Tupelo that Elvis’s musical identity began to take shape. He attended the Assembly of God Church, where he was first exposed to Southern gospel. He also lived near the Shake Rag community home to blues musicians and Black gospel music that influenced his unique musical style. It was in the Country radio programs added to the fusion of sound that would one day revolutionize the music world.

Honoring the Boy Who Dreamed Big

Today, visitors to the Elvis Presley Birthplace, Museum, Chapel, and Park can walk the same paths Elvis once roamed. The 15-acre campus welcomes over 100,000 visitors annually, offering an immersive experience anchored by Elvis’s childhood home, the relocated church where he worshipped, and stunning life-size statues that symbolize his journey.

One of the museum’s most beloved landmarks is the bronze statue of 13-year-old Elvis, sculpted at the suggestion of Irish fans Maurice and Maureen Colgan. The statue, crafted from historical photos, portrays Elvis in oversized overalls and plain shoes, representing the modesty of his upbringing. Positioned between the church and museum, the statue’s placement reflects Elvis’s deep spiritual roots and the material world he would later enter as a superstar.

Nearby, atop the Tupelo Overlook, a powerful art installation known as “BECOMING” features two Elvis statues—”Elvis the Boy” and “Elvis the Entertainer”—each facing west toward Tupelo. The path leading to them zigzags, a visual metaphor for the winding, complex journey Elvis walked on his way to icon status.

A Tribute Model: David Lee

The 1970s-era Elvis statue unveiled in 2015 carries a special connection to David Lee, a world-renowned Elvis tribute artist from Birmingham, Alabama. Lee served as the model for the sculpture and played a key role in securing $1 million in government funding to expand the museum.

A two-time world champion and the 2015 Ultimate Elvis titleholder from Elvis Presley Enterprises, Lee has performed across the U.S., Canada, Mexico, and international waters. His authentic performances and gospel roots have made him a favorite among fans and festival-goers alike. His contributions to Tupelo’s Elvis legacy include receiving the Key to the City, having his name engraved at the base of the statue in Fair Park, and being the first performer at the museum’s 120-seat auditorium in 2013.

“Elvis is gone and irreplaceable,” Lee said, “but my tribute hopes to do him justice.”

Living History on Display

The Assembly of God Church—where a young Elvis learned to play his first chords—has been preserved and moved to the Birthplace grounds. Visitors can experience a 1940s-style Pentecostal service through multimedia displays that include singing, preaching, and praise-filled worship. It was here, under the guidance of Brother Frank Smith, that Elvis learned to play “Ole Shep” with just three chords: D, A, and E.

Photo by Milton Kirby – Elvis Presley’s Childhood Church

The Elvis Presley Center, under the leadership of Executive Director Roy Turner and Associate Director Rhonda Lamb, continues to expand. The $6.5 million complex includes the birthplace home, museum, chapel, theater, event center, and scenic trails where visitors can reflect on the King’s journey.

A City’s Pride

Tupelo embraces Elvis’s legacy at every turn. From decorative guitars on street corners to murals and events, the City celebrates its native son with pride and purpose. Mr. Henry Dodge, retired chair of the board of directors, described the winding path from the museum to the statue as symbolic of Elvis’s climb from poverty to global fame.

“Elvis dreamed a dream from this very soil,” said one local visitor. “Now the world walks where he once walked.”

A Lasting Connection

For fans of Elvis Presley, the museum is more than a tourist attraction—it’s a pilgrimage site. It’s a place to experience the humble beginnings of a boy who went on to become a world icon. A place to honor music’s power to transcend barriers. And a place to celebrate a legacy rooted deeply in Mississippi soil.

The Horn Family at the 2025 Elvis Presley Festival

Photo Gallery

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New Fees, Fewer Perks: Southwest Updates Fare Structure

Southwest Airlines ends free checked bags, now charging $35 for the first and $45 for the second—a major shift impacting budget travelers and loyalty perks.

By Milton Kirby | Atlanta, GA | June 3, 2025

Southwest Airlines is no longer letting two bags fly free.

As of May 28, the popular budget carrier has officially ended one of its most beloved customer perks. For decades, the airline’s “bags fly free” policy was a hallmark of its friendly, no-frills service. Now, that tradition has come to an end—bringing new costs and questions for travelers.

From Beloved Benefit to Baggage Fees

Southwest’s policy change comes as part of a broader set of reforms aimed at boosting profits and attracting new customer segments. Under the new rules, most passengers will now pay $35 for their first checked bag and $45 for the second. For a round-trip flight, that’s an extra $160 for those carrying two bags.

This hits particularly hard for vacationers—especially skiers. In the past, a ski bag and boot bag counted as one item. Now, travelers must pay for each checked item separately unless they qualify for a waiver through their loyalty status or fare class.

New Fare Structure, More Fees

Southwest has also introduced a new “Basic” fare, mimicking competitors. This lower-cost tier removes flexibility—no refunds, no changes. Passengers seeking flexibility must upgrade to the “Wanna Get Away Plus” fare, which adds $35 each way. A traveler who wants flexibility and two checked bags now faces up to $230 in added costs for a round-trip flight.

The airline defends the changes as part of a strategy to offer more choices. “We will do all this while remaining focused on what’s made us strong—our People and our authentic, friendly service,” said CEO Bob Jordan in a March press release.

Who Still Gets Bags for Free?

Not everyone will be charged for bags. A-List Preferred members and Business Select fare holders continue to receive two free checked bags. A-list members get one. Rapid Rewards credit cardholders can check one bag free of charge.

The Department of Transportation reported that in 2024, Southwest earned $83 million in baggage fees from customers with three or more bags—even without charging for the first two. With this change, fee revenue is expected to rise significantly.

Loyalty Program and Perks Also Shift

Southwest’s Rapid Rewards program is also evolving. The airline has started offering more points for higher fare classes and fewer points for lower tiers, such as Wanna Get Away. Points redemption will now vary depending on demand.

Other new features include:

Assigned seating (a first for Southwest)
Premium legroom options
A growing list of international partnerships, including Icelandair and China Airlines
A rollout of in-seat power, faster Wi-Fi, and new cabin interiors on the Boeing 737 MAX 8 fleet

A History of LUV

Founded in 1966, Southwest made its name flying between Dallas, San Antonio, and Houston. It offered no assigned seats, free checked bags, and famously lighthearted service. “LUV” became the airline’s stock symbol—and unofficial brand.

The change marks a major evolution from the company’s roots. While the airline says it’s “honored to have you join us on this transformational journey,” many longtime fans feel left behind.

“I remember the Love Machines and friendly flight crews,” said another frequent flyer. “Now it just feels like every other airline.”

Southwest says it remains focused on operational excellence. In 2025, it leads U.S. airlines in on-time performance and has avoided most cancellations.

Still, for everyday travelers used to packing without penalty, the new baggage fee era may take some getting used to.

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World-Class Transit for World-Class Soccer: MARTA Steps Up

MARTA offers world-class transit service for the 2025 FIFA Club World Cup in Atlanta. Let MARTA drive you to matches, events, and fan celebrations.

By Milton Kirby | Atlanta, GA | June 2, 2025

Soccer fans from around the globe will soon descend on Atlanta for the 2025 FIFA Club World Cup. MARTA is ready to deliver them to the action.

The Metropolitan Atlanta Rapid Transit Authority (MARTA) is preparing to move thousands to and from matches at Mercedes-Benz Stadium and fan events citywide. With decades of experience managing large crowds, MARTA promises smooth rides and increased service for the international tournament.

“MARTA is one of the only transit systems in the world with a train station inside the airport,” said MARTA General Manager and CEO Collie Greenwood. “Fans can go straight from the plane to the train, to their hotel, and then to the stadium—no rental car needed.”

MARTA has served Atlanta well during major events in the past. From three Super Bowls and NCAA Final Fours to weekly Falcons, Hawks, and Atlanta United games, MARTA is the city’s go-to transit system for sports fans.

For the six Club World Cup games this summer, MARTA will increase train service before and after each match. A special pre-game shuttle will run between Five Points and GWCC Stations for faster stadium access.

MARTA will also deploy Transit Ambassadors to assist riders, load-and-go teams on platforms to guide boarding, and additional MARTA Police to ensure safety.

MATCH SCHEDULE AT MERCEDES-BENZ STADIUM:

Monday, June 16, 3 p.m.: Chelsea FC (England) vs. LAFC (USA)
Thursday, June 19, 3 p.m.: Inter Miami CF (USA) vs. FC Porto (Portugal)
Sunday, June 22, 9 p.m.: Manchester City (England) vs. Al Ain FC (UAE)
Sunday, June 29, 12 p.m.: Round of 16 Match
Tuesday, July 1, 9 p.m.: Round of 16 Match
Saturday, July 5, 12 p.m.: Quarterfinal Match

Even with the Five Points Station undergoing renovations, MARTA confirms that rail service will not be disrupted. All train lines and transfers will run on schedule, and street-level access is available via Forsyth Street.

Looking ahead, MARTA is also preparing for Atlanta’s role in the 2026 FIFA World Cup. The city will host eight matches, and MARTA is collaborating with FIFA, the Atlanta Sports Council, and other cities to plan safe and efficient transit operations.

MARTA is also rolling out upgrades. The better Breeze fare system will allow customers to tap their credit cards or phones to pay—no ticket needed.

And World Cup fun won’t be limited to the stadium. In Decatur, fans can enjoy WatchFest26, a month-long celebration above Decatur Station. MARTA will be the easiest way to get there and to other fan zones around metro Atlanta.

LET MARTA DRIVE YOU TO THE GAMES: